So I’ve been doing a lot of thinking lately. 2012 has been, as I may have mentioned previously, not such a good year for me * . Pretty much the only positives in my life have been a handful of new friends I met (plus a small circle of “older”, tried-and-true ones), and the art. Many other things, personal and otherwise, have turned out to be mirages, or just carrots dangled in front of me for whatever reason.
A huge chunk of my time has been invested in trying to just understand what I’ve been through. Never mind undoing the damage, or actually trying to move forward .
But the year is almost over, so it’s time to cast off all this extraneous existential bullshit and focus on the positive. I’ve been extremely fortunate to have had some monumental influences on my art (two people in particular, and I’m sure they know who they are), and my art career. I’m miles ahead of where I was after my first show – which was only fourteen months ago, though I find that hard to believe at times. It’s weird and a bit disconcerting to look back at how I threw that show together mostly by myself, just making it up as I went along. Now I’ve done four shows, I’ve got an art book in the works, and I even have an now.
I just need to figure out where the next evolutionary jump is. Merchandise sales are growing, and so is the local buzz, but it seems as though we’ve taken social media (for example) about as far as we can as a promotional tool. I’d like to get into galleries, of course, but I’m not exactly sure how that happens in today’s fragmented art market.
Until we figure that out, though, I’m immensely thankful for all the support and encouragement I’ve gotten from a growing circle of amazing people. And I’m looking forward to applying all the things we’ve learned this year to the next show ** .
Speaking of which, I also want to focus heavily on artistic collaboration in my immediate future. The aforementioned show (with Alex Stewart ) is a crucial step in that direction, and hopefully just the first one. I’d like to combine efforts with other artists, photographers, possibly even writers or musicians. I’d also like to put together street teams to promote next year’s events, so if you’re interested, please let me know.
So thanks for reading, and onward and upward in 2013.
December 7, 2012
In fact it’s been kind of horrible, especially the first five months.
** Hot Pink , tentatively scheduled for early February.
Well, kids, the shotglasses are done. Seems like a million years have passed since I kicked the project off on January 1st, all full of piss and vinegar and ready to draw 366 glasses over the course of 2012.
Then again, I had no idea at the time what twists and turns my life would take in January. Guess I can’t fault myself for not being clairvoyant, though – I doubt that anybody else could’ve predicted the things that have happened to me any better.
So here I am almost a month and a half later, and the world as I know it is drastically different from the one I thought I was living in back in December. Some longterm plans hatched in happier times have been shelved, sadly. And the adjustment process hasn’t at all been easy.
On the plus side, here’s the last of the 31 shotglasses:
And I think the new idea of having a different theme every month will add some much-needed variety to the whole drawing-every-day thing. Dinosaurs for February are, as you’ve already seen, well underway. Other potential monthly topics include guitars, shoes, dogs & cats, dragons, and at least one other than I’m blanking on at the moment. I’m certainly open to suggestions from the floor.
Also on the brighter side, the work situation has taken a definite turn for the better, so at least that particular bit of stress and pressure has lessened considerably.
Onward and upward, right?
Lost in 2012.