“Things are almost bad enough to have a party.”
~ Judd Nelson, The Billionaire Boys’ Club
I dunno about you, but I am having the strangest damn year. As you may know, I work as both an artist and a graphic designer, and having the two revenue streams is really helpful in these dark and troubled times.
This year, though, everything seems to be… off.
Art is selling much better than usual, and January is particular was much busier than in any previous year. Which is weird, but definitely good – because graphic design work has been non-existent (and that’s coming on the heels of a year as financially and emotionally ruinous as 2016).
My solution to such issues is probably obvious by now: when in doubt, throw an art sale. Then I can clear some much-needed space out, AND help pay the rent.
Speaking of which, I’ve been doing 2-day flash sales over the past week. Responses have been good, so I decided on Friday to cap it all off with a BIG sale. Have a look below at the latest offerings. There might just be something there you want, and of course there’s the added bonus of supporting local art (or if you’re not in Vancouver, think “independent art” instead).
And by all means, tell your friends. Spread the word. Help a brother out.
Also, I’ve finished a number of commissions lately, so if you’re thinking about having a custom piece of your own painted, now is exactly the right time.
Sale ends Sunday night, April 30th.
(Disclaimer: prices do not include shipping.)
April 29, 2017 | Categories: "black widow", accomplishment, ace of spades, acrylic, adult beverages, april, art, art biz, artist, artiste, artistic growth, artists, artwork, avengers, batgirl, bret taylor, business, buy, buy buy buy, cartoon, change, changes, color, colour, commission, commissions, creative, creativity, crimson, details, dino, dinosaur, earth-shaking, economy, exhibition, gallery, t-rex, thank you, thanks, tradition, turquoise, twitter, tyrannosaurus rex, Uncategorized, van, vancouver, wine, woman, wordpress | Leave a comment
My first solo show. I went into it practically blind, and it wasn’t till a week before it opened that I had someone to help me out with the planning. Fortunately it all came together nicely anyway, though.
What I learned:
• that it feels amazing to bring strangers together.
• that brown is a tricky colour to glaze with.
• that not everything will sell.
• that good lighting is crucial.
• that the private afterparty is the best part of a show.
Eight months later, I tried it again. I put on a live-art show, but also had a variety of new and old metalflake pieces on hand, plus a pretty random assortment of non-metalflake pieces.
What I learned:
• that it’s impossible to go slow when you’re painting in front of a crowd.
• that if there are metalflake and non-metalflake pieces in a show, nobody will look at the non-metalflake ones.
• that consistency of style and theme are crucial.
Armed with a new agent and a new series of paintings, this was my first show with some actual strategy behind it. We had an all-ages afternoon portion, and then an adults-only afterparty. We also had a dinosaur cake, buttons, and even costumes (some people really get into a good theme).
What I learned:
• that everybody loves dinosaurs.
• that eight hours is a long damn time to be standing and schmoozing.
• that a lot can change in a year.
• that cheap masking tape from the dollar store is the only way to go.
This show was a joint effort between Alex Stewart and I, based on a pin-up girl theme. Everybody involved (and it was a sizable crew) really brought their A-game. The show was a smash, and a real event.
What I learned:
• that everybody loves pin-up girls.
• that sanding the edges of a painting before glazing adds so much.
• that audience participation is the best form of publicity, and people love to dress up.
• that collaborating with another artist is an amazing experience.
• that spraypaint is your friend.
• that baseboard heaters are pretty useful for drying paintings.
• that under the right circumstances you can get away with almost anything.
• that I don’t have pre-show jitters anymore.
A much longer show (it ran for 3 months), a brand new venue, and overall a serious change of pace. The opening had a relatively small turnout, but that was okay. Nearly all of the paintings were sold before they were even hung at the venue – some before they were even finished.
What I learned:
• that everybody loves undersea creatures.
• that putting together contracts is exhausting but educational.
• that people can and will let you down, but other people will raise you back up.
• that blues and greens are inherently more intense colours.
• that octopi are incredibly hard to draw.
• that I shouldn’t schedule an art show opening for Mother’s Day.
• that X-Acto blades are sharp.
• that leaving the biggest, most crucial painting in a show till last isn’t such a bright idea.
• that borders aren’t necessary.
Another new venue, and many new people were in attendance. Superheroes seemed like a natural fit for my art style and process, and sure enough, this was easily my most successful show to date (particularly if you factor in all the spin-off commissions I got from it). Also, the food was astounding, and once again I was treated like a star. This show opened all sorts of doors for me, too.
What I learned:
• that everybody loves superheroes.
• that putting on a show by myself isn’t actually that hard.
• that going hog wild with colour is a liberating experience.
• that light refraction is what makes the colours really pop.
• that mica flake gel is a gamechanger.
• that lipstick on your forehead is a great conversational gambit.
• that people really do care about Green Arrow.
My fourth and final venue for 2013, and one well-suited to the topic at hand. Everything about the experience was positive, from the formal-dress aspect, to the involvement of one of my favourite whiskeys as a sponsor. And while there were no pre-sales, I did sell half the paintings in a matter of five hours that night.
What I learned:
• that everybody loves cocktails.
• that every girl crazy for a sharp-dressed man.
• that art shows should always have signature cocktails.
• that black lava gel is a must, not just an option.
• that when the baseboard heaters just aren’t enough, the top of the toaster oven can also be pressed into service to make paintings dry faster.
• that a splash of iridescent colour under the top layer of clear is like a revolution for the eyes.
• that a venue so close to home is a godsend at the end of the show (particularly when you’re in a hurry to celebrate for another five hours).
• that pulled pork mac and cheese defies description.
• that not even Pearl Jam can keep the people who really want to be at the show from attending.
January 29, 2014 | Categories: accomplishment, acrylic, adult beverages, advice, agent, also, amazing, arigato, art, art show, artblog, artist, artiste, artistic growth, artists, artwork, bar, batgirl, blog, booze, bret taylor, business, canada, captain america, carnotaurus, catwoman, cherry bomb, color, colour, commission, commissions, dino, dinosaur, drawing, drinks, earth-shaking, garter belt, girls, handcuffs, heels, high heels, hips, hot pink, howyadoin, howyadoin graphics, imagemaker, insomnia, iridescent, koi, labour of love, ladies, legs, lingerie, liquid mirror, liquitex, liquor, lovely assistant, magenta, metal flake, metalflake, metallic, montana gold, onward, paint, painter, painting, paintings, party, patron, pin-up, pin-up girl, pin-ups, pink, pinup, projects, promo, promotion, red, remix, reptile, seahorse, show, social media, spinosaurus, spraypaint, stars, Stegosaurus, stockings, stripper, strut, superhero, supervillain, t-rex, the tipper, thor, tipper, triceratops, twitter, tyrannosaurus rex, upward, validation, vancouver, whiskey, whisky, woman, wordpress | Tags: art, art show, blog, bret taylor, cocktails, dinosaurs, hot pink, howyadoin, ka-pow, ocean rain, vancouver | Leave a comment
Well. As I write this it’s late Monday night. It’s been a pretty mellow day – slept in late, couldn’t really get focused on anything, though I did still get a lot done. Yesterday was a hangover day, though more in the spiritual/mental sense than the physical sense.
But Saturday? Ah, Saturday. That was a fine, fine day.
As you obviously know from previous posts, Saturday was the night of my latest show, Metal Flake Remix. We had a great turnout, and I met lots of new people, which is definitely one of the best perks of being an artist. And I sold lots of art, drank some delicious bourbon, and created six new paintings:
After the show, I sat up with a handful of close friends all night talking (okay, and occasionally drinking). By Sunday afternoon it felt like the day after the prom – I was tired and burned out, but very happy. And it felt like I’d taken a huge step in my life.
I definitely want to try live art again. What an amazing experience – I was nervous as hell about trying it, but once I got started I couldn’t have stopped if I tried. The music, the momentum, the amazing people watching, all combined to give me one hell of a kick in the ass. I know I have a lot to learn about this, of course – how to draw the audience in more, how to control the pace a little better, how not to blaze through all the work in just 20 minutes. But I’ll get there, with practice.
Some of my favourite moments – Kelly winning the painting we drew for, finally meeting some longtime Twitter friends face-to-face, putting the big blue handprint everywhere, tequila shots, having friends from the bad old days in Charlottetown on hand…
Plans are already afoot for upcoming shows, too. The Dino Show is tentatively scheduled for September, and I wouldn’t mind incorporating some live art into that as well. Closing Time is still a going concern, too (I’d really like to take my time and think that one through, though). And then there’s For a Dancer – those six paintings could conceivably be finished by early August. Not sure yet what will happen there, but it’d be nice to have a one-night mini-exhibit in a restaurant.
I certainly don’t want to oversaturate the market, so to speak. Fortunately my agent/marketing manager is passing on a ton of great advice in that regard, and in others as well.
So without further ado, some people I really need to thank: my family, John Watson and Imagemaker Photographic Studio, Kate MacDonald, Alex Stewart, Cosca Restaurant, the Après-midi Teahouse, Bailey Hunter, Lindsay Bayne, Derek Bolen and Karm from VanCity Buzz, Abbey Jackson, Kelle Belle, Dale Deruiter, Karina Halle and Team EiT, Corinna and Adam Carlson, Lola Frost, Lori Kittelberg, George Smeltzer, Samantha K, Matty Sadorf, Ned Tobin, Jonny Warkentin, Scott Graham, Oddball Workshop, Annie Friesen and Dottie’s Buttons, Jamie Lee Purgavie, Nicola Proctor, Cynthia Griffiths, John Lee, Ceci Graber, Andrea Waters, Geoff Gauthier, Steve Goodman, Mike Watson, Johnny B, Novo Pizzeria, MCNG Marketing, Felice Lam, Cathy Browne, Anthony Wittrock, David Dreger, Amanda West…
… and of course, in the Without-Whom Department: Tess McCann.
(Photo by Lindsay Bayne. All other photos courtesy of Cynthia Griffiths.)
The Booze Brothers:
Explaining the method to my madness:
First sale of the night:
Talkin’ art with Gary from Ontario and Gary from Ontario:
Planning and scheming:
Good friends sharing a laugh:
Having our picture taken:
Hangin’ out with the ladies:
Overview of the show:
And that’s all, folks.
P.S. Photos by John Watson, Gary Bolt and George Smeltzer.