that’s all she wrote

Hot Pink Recap

Let me tell you the story of one amazing day. A lifetime ago (or a very short while, depending on your perspective), I had my very first solo art show.

I was half-assing my way through organizing the show till Tess McCann stepped in to offer her assistance. I would mark that as the most significant turning point in my art career to date (and of course, Tess is now my agent).

From there it’s been… I dunno, would it sound pretentious if I said it “a journey of self-discovery” ?

Anyway.

We’ve spent the last year and a half experimenting and learning about art shows and art marketing, and we’ve met some incredible people along the way. And all the things we’ve learned got applied to the latest extravaganza, Hot Pink .

Now, Hot Pink has its roots in two sources: a suggestion from Alex Stewart last summer that we do a pin-up girl show together, and a request from Tess the summer before for a hot pink painting of a dancer.

Everything just gelled from there. Putting this show together was almost effortless, apart from the labour in actually creating the art itself. Many people stepped in to help promote the show, offer suggestions and their encouragement, and lend a hand in many ways.

But wait . I’m getting ahead of myself here.

Let’s backtrack. Friday night, Feb. 22. Team Hot Pink gathered at imagemaker photographic studio to hang the show. I wore my toolbelt, because I’m told it makes me more popular with the ladies:

Alex brought along some stunning pieces. I’d been following their progress for months via social media, but it was my first time seeing most of them in the flesh.

(I brought along a few pieces of my own, of course.)

And in no time at all the entire show was hung, the pizza eaten, and beers drank. Waking up to sunshine the next morning was a nice omen.

And just like that, the Big Day was upon us:

You may have noticed the beautiful Hot Pink button in that last pic. It comes courtesy of Annie Friesen, the proprietor of Dottie’s Buttons . In addition to that button, Annie is now selling others that feature my artwork and Alex’s. We’re pretty pleased to have her on the team.

In addition we had a major contribution from Candice Roach’s Love Your Cake business. Another great local company run by a good friend. And her cakes are mindblowing to see (or to eat, for that matter).

My latest paintings were a hit. Several of them were sold before the show even happened. Here are the ones I’m particularly proud of:

Aside: Agent McCann and I also donated a painting to a fundraiser by our friends at the HiVE called An Evening of Debauchery . Full of inappropriate dirty jokes, politically-incorrect comedians, burlesque performers and an artist with a… unique approach to painting, the event was held to raise money for a non-profit business incubator. In the end the painting went to Nelu Oncel, who was patient enough to let us keep the painting for a few more days so it could still be in Hot Pink.

Alex and I also collaborated on two pieces, which is probably the creative highlight of my year so far. I started one piece that he finished, and vice versa. An incredible experience, and one I learned a lot from. Hopefully there’ll be more joint efforts from us in the future.

And from there, things just… rolled . Many excellent friends showed up, both old and new. These pics should give you an idea of how it went:

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At midnight we wrapped things up, exhausted. Took the party to several other locales, and in the AM we were back to tear everything down. By that afternoon you’d never know there’d even been a show.

So thanks to John Carter, Sarah Merris, Kimli Welsh, Steve Kinsey, Jeremy Ball, Amanda West, Jamie Presley and Meghan Low, Vicky Hames, Meghan Kilner, George Smeltzer and Lori Kittelberg, John Bell, John Watson, Alex Stewart, Jon Crewe, Jaime Lee Purgavie, Aimee Vuilleumier, Lyndsey McEwen, August Wiled, Chantal Michaud, everyone who wore pink to support the cause, and the incomparable Tess McCann, who once again deserves a huge round of applause for everything she’s done for me.

Photos courtesy of John Watson, Tess McCann, Alex Stewart, Heather Prost, Cathy Browne, Christy McNeil, Scott Graham, and Bret Taylor.


And… that’s another year almost put to bed. Truth be told, it’s one I’ll be glad to see the ass end of (I briefly considered titling this post “Kiss My Ass 2012″ ).

Definitely a BIG year for me, by any standard, and one of constant change. When we went to bed in the wee hours of January 1st, I had pretty concrete, definite ideas of where 2012 would go. For better or worse, though, very few of those ideas came to fruition.

It’s interesting to view it in comparison with the previous year. 2011 started badly, marked with illness and drama. But every month after that was better than the preceding one, culminating in December – which, despite certain difficulties, was easily the happiest month of my entire life.

Which only made January of 2012 even shittier in comparison, as everything bottomed out on me at once.

By the time that month was over, everything that had been good about December was gone.

And I was done.

Each of the next three months had some further catastrophic event to add to the trauma. But fortunately, lots of work was happening, and my creativity never waned. So I kept painting, kept working, and kept my head above water.

Since then it’s been up and down.

And up.

And down.

It’s only in the last month or so that things feel like they’re coming together again, and my bruised ego finally put in an appearance again. So let’s focus on that, shall we? Who had the most positive, supportive impact on my life in December?

The roll call, in no particular order:

My family, Cynthia Griffiths, Jocelyn Aspa, Greg Lexiphanic, Brendan Moran, Lori Kittelberg, Pardeep, Ceci Graber, Terry Burns, Louise Perrin, Allison Vincent, Donna-Jay Crowe, Donna Jaggard & Dan Udey, Christine Warner, Lindsay Bayne, Alex Stewart, Dan Parker, Candice Roach, Bryce Pugh, Jewel Staite, Mike Watson, John Watson, George Smeltzer, Amanda West, Jaime Lee Purgavie, Rochele Potter, Andrea Waters, Geoff Seymour, Jennifer Juniper, Lyndsey MacEwen, Cathy Browne, Cindy McShane, Mila Pasco, Felice Lam, Chantal Michaud, Geoff Gauthier, Bon Bahar, Annie Friesen, Lynn McIlwee, Tawna Taylor, Jenn Ashton, Lisa Jarvis, Jackie Teel, Kevin Meyers, Jonny Warkentin, August Wiled, Nicola Proctor, and Victoria Pattison Denault.

I thank you one and all.

Disclaimer: if I missed you, you have my sincerest apologies. And I’ll keep editing names in as they occur to me.


Unless you’re a newcomer to this site, you probably know that I recently completed a thousand consecutive days of art. Every one of those days, from January 1/2010 – October 1/2012, I drew and/or painted, without fail.

One thousand days.

As time went on, the numbers actually began to mean less and less to me. Because it was really about the journey, of course. About what I learned, where I went, how I changed.

The past few years have been challenging, to say the least. Apart from the financial hardships of the recession and its aftermath, one thing I’ve been struggling with is the lack of structure in my life (I’m a freelancer, by the way). So the added benefits to this extended art experiment are just that – structure, purpose, direction.

For a long time people were asking me what I planned to do on the final day. I considered several options, because I wanted to do something momentous. But in the end these options fell through, so I decided that the best course of action would be…

… Business as Usual.

After all, I had a show to prepare for. Paintings to finish, logistics to be sorted out, all sorts of promotional work to do. Putting on an art show is no small task.

So when I got up that morning, I did a quick little sketch, just in case:

That way if the sun exploded or we got invaded by zombies, at least I could still say I reached the 1000th day.

(Fortunately they didn’t. But hey, you never know.)

After that it was back to the metalflake dinosaur paintings. Since my T-Rex sketch from back in February was the central image in my upcoming show, I decided that finishing one of those pieces would be my best bet. And that just seemed fitting – it tied in with the show, with my calendar, and any number of other peripheral art ventures. Plus it was inspired in the first place by the person who’s made the biggest mark in my life during the Project – my Agent and former Muse.

So there you have it. One thousand days. I painted and drew a lot, I learned a lot, I sweated and bled, and I’m still standing.

Oh, and one more thing: I’m already working an art book based on the experience. Watch this space for further details.


Welcome back, and thanks for joining us. It’s been a few days since the Dinosaur Show – time spent recovering and regrouping, for the most part. It seems that the bigger these events get, the more time it takes to bounce back.

And this was definitely a BIG event.

Earth-shaking, even.

The excitement all started Friday night, with a trip to imagemaker photographic studio to hang the show. This is part of the process that I always stress needlessly about, as it usually goes off without much of a hitch. In this particular case, the positioning and hanging of the paintings was a breeze; it was just the peripherals (a display for posters and calendars, for instance) that raised questions.

That night I slept well, which has never happened the night before a show till now. Come to think of it, I slept pretty well for most of the preceeding two weeks.

In the morning I was up early, running last-minute errands in the rain. We were at the studio doing last-minute setup by 1:00PM…

… and then it was showtime. My friend Cindy, who moved here recently from Ontario, snapped up the medium-sized T-Rex almost immediately after we opened the doors. Technically that was the second sale of the show, though, because John from HogShack had already spoken for one of the struttin’ T-Rex paintings.

Over the next six hours lots of people came in, often with young dinosaur fans in tow. Talked to old friends, met some people I’d previously only talked to online, sold a few paintings, and all in all had a great afternoon.

And then it was 8:00. The afterparty started.

The Agent was outfitted in a custom T-Rex top, and we also had hot pink T-Rex buttons made:

The people who got into the dinosaur theme the most, though, were Candice Roach and Danny Parker. Candice made a cake especially for the show, and Dan brought not only a T-Rex hat, but a full-on dinosaur COSTUME :

I kept thinking we’d hit the point where people were more focused on the party than the art, but then, miraculously, a few more paintings would sell. The final tally: 14 paintings sold out of a possible 17.

Did I mention there were drinks? Cake? Sandwiches and pumpkin pie cheesecake that my friend Melissa Jones so thoughtfully contributed? That people came from all over the place just for the show?

I’ve gotta say, the show of support never gets old.

Things wrapped up pretty quickly around 1:00AM. The day was done, the show a success.

Thanks, first of all, to the people who bought my paintings, posters and prints: John Lim Hing, Cindy McShane, Nic & Todd Cruickshank, Lori Kittelberg and George Smeltzer, Lindsay Bayne, Christine Warner, Geoff Gauthier, Irving Lau, Mark Crater, Candice Roach, Krista Lee, Amanda West, Donna Jay-Crowe, and all the people who bought buttons.

These lovely people couldn’t make the show (which will always happen) but were still kind enough to send along apologies and/or encouragement anyway: Chantal Michaud, Kate MacDonald, Lynn McIlwee, Jackie McCaughan, Adam & Corinna Carlson, Lyndsey MacEwen, Jewel Staite, Crystal Witty, Ceci Graber, Erin Kyle, and Jeff Hornby.

And of course, how could I forget my agent, Tess McCann? We’ve been through a lot together in the 14 months since we met, and this show actually started with her posting T-Rex cartoons on her Facebook wall in the early part of 2012. Thanks for everything, Tess. At the risk of repeating myself, this wouldn’t even be possible without your help.

(Photos courtesy of Danny Parker, Ned Tobin, Amanda West, Lindsay Bayne, Krista Lee, John Lim Hing, and John Watson.)


The final illustration is done. On Sunday night I’ll be getting my “about the artist” photo taken, and then all the book content will be finished. A few more days for proofing, and then it’s off to the printer.

It’s a pretty good feeling. Nice to see something positive come out of a recession year like this past one.

Time for whiskey, I think.


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