studio

Superchicks – Still Available.

Full report on the show still to come, but here’s what’s still up for grabs. First, the metalflake paintings:

And then the sketches (all 8×10 inches, $50 apiece):

If there’s something you’ve got your eye on, let me know ASAP (prices do not include shipping). And if you’re interested in commissioning something you don’t see here, also let me know.

Thank you and goodnight.


And then it was April.

Here we are, a quarter of the year already done. The first big show of 2013 is over (and a damn successful one it was), and two more are in the works. Longterm strategies are being developed, and new venues and opportunities being explored.

Creatively I feel incredibly positive. The ideas just won’t stop coming, I’m happier with my drawing skills than ever before, and I keep thinking of new variations on my metalflake technique. This in particular is pleasing, given that I’ve finished 102 of these paintings and currently have another 17 in the works (obviously I don’t ever want this to turn into some sort of assembly-line process; frankly I think that having assistants do the bulk of your work for you borders on the fraudulent).

With the Hot Pink show and the Christmas Metalflake series, I played around with the technique, sometimes out of necessity, and other times just out of curiosity. I did several paintings with pulverized Christmas balls worked into the strata for texture and reflectivity. And the other day it occurred to me that I could also use gold leaf in my backgrounds.

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This experiment turned out even better than I’d anticipated. And it got me thinking about some other new possibilities.

A few specifics, then, before the conversation takes a turn for the personal. The Ocean Rain show, which you’ve already seen hints of, is progressing nicely. Expect an announcement regarding this very soon – we’re hoping for an early May launch date.

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The show after that will most likely use superheroes and science fiction as its launching point.

After that I’d like to do something with an automotive theme, and of course we’ll be doing something Christmassy as well, in the fall (truth be told, we’ve probably got ideas for a dozen shows). Also in the fall, we’ll be releasing a book and/or calendar of T-Rex illustrations. Three of them are done already, and the Agent and I have been brainstorming on lots more.

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And by this time next year I want to have my work in galleries.

So, enough business. Let’s talk about what else has been going on. Last year, as documented again and again (and AGAIN), felt like some sort of trial to me. One trauma after another, month in, month out. By November I was a bit of a mess.

I can’t pinpoint any one specific moment when the game changed (unlike, say, in 2011), but a lot of minor victories added up to help pull me out of my funk.

And this process continued through January and February, to the point where I finally feel like I’ve gotten my groove back (I won’t lie; I was extremely worried about that, and for a long, long time). Friends and family have done their part to help, chance encounters have led to new opportunities… and inspiration? Inspiration is EVERYWHERE. I’m on fire creatively.

I’m back, baby.

Bret Taylor
Vancouver, BC
April, 2013.


Hot Pink – the Latest.

Pretty caught up in art-show excitement these days. So much so that I almost forgot about the blog.

But many amazing things are happening. Paintings are already selling, buttons have arrived, a new shirt is almost ready, sketches are being posed for, greeting cards are available, and the Hot Pink Peeler Mix playlist is nearly finished. All sorts of craziness, and definitely of the good variety.

This art-show business does actually get easier. For a long time I didn’t think that would ever happen.

Mind you, I’ve got a team behind me now, and their support and enthusiasm are pretty infectious (and it’s not just my show this time around). In fact, we’re meeting on the weekend to talk over some hush-hush, ultra-top-secret business. Just wait till you see the results. Oh, man…

Anyway, people are stepping up to bat and generally being excellent human beings. I could rave about that for hours, or about how beautiful women are keeping me informed as to what shoes and underwear (pink and/or black, obviously) they’ve bought for the show. But instead I’ll just treat you to another slideshow:

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Nine days to the big show. Anybody else as pumped for this as I am?


Studio Open House

I’ve had a pretty stellar year, artwise. Amazing things were accomplished within this narrow timeframe, and I received an absolutely stunning amount of support from people far and wide. People who bought my art, pimped it to their friends, inspired and encouraged me. Great people, in short.

So as a thank-you gesture, I’m having a studio open house at my place next Friday. There’ll be lots of art on display, refreshments of some sort, and I may work on a painting or do some sketching during the process.

Come by and say hello:

3:00-7:00PM, Friday, Dec. 28
503-1101 Pacific Street in Vancouver (buzzer 503)

Thank you, thank you.

Bret Taylor


Ready for the Sale.

So I’ve spent the last couple days getting everything ready for the art sale. I’ve taken over my buddy John’s photography studio and changed it around (more than) a little. Yesterday while we were still setting up I snapped this pic of the Reception area:

Today we went over with a boatload of art. Here’s how it looked shortly after we got there:

Finally I had all the paintings up in the Lounge:

Once that was all done it was time to pose for a photo myself:

Weirdest part of all this, of course, is how my livingroom wall looks now:

But fear not – that big wall space will be reserved for the first Closing Time painting.

Big day tomorrow.


120 Days.

It’s a beautiful sunny afternoon in Vancouver as I write this. The kind of day where the light couldn’t be any better for painting. As you can see, the sun hasn’t quite reached my painting surface (AKA the bar) yet:

And this is an anniversary of sorts. Once again this year I set out to draw and/or paint every single day, and April 30 was the 120th consecutive day.

So what’s come from the 120 days so far? For starters, a much deeper understanding of light and colour. For another, I’m dreaming a lot about the whole process, and sometimes I’m even coming up with viable solutions to art problems in the dreams. Beyond that, I’ve completed five paintings and eight illustrations (including a header for a friend’s blog), and I’ve got another painting (you can see it there on the bar in the photo above) and a dozen or so illustrations underway. Oh, and included in those numbers are three commissions I’ve completed, the third of which is FedExing its way to its new owner as we speak.

All in all I’m feeling pretty positive about the months ahead. And on that note, I’ll leave you with a teaser from a work in progress:

Thanks for reading.

Bret