stencil

Superchicks – Still Available.

Full report on the show still to come, but here’s what’s still up for grabs. First, the metalflake paintings:

And then the sketches (all 8×10 inches, $50 apiece):

If there’s something you’ve got your eye on, let me know ASAP (prices do not include shipping). And if you’re interested in commissioning something you don’t see here, also let me know.

Thank you and goodnight.


Hot Pink – the Latest.

Pretty caught up in art-show excitement these days. So much so that I almost forgot about the blog.

But many amazing things are happening. Paintings are already selling, buttons have arrived, a new shirt is almost ready, sketches are being posed for, greeting cards are available, and the Hot Pink Peeler Mix playlist is nearly finished. All sorts of craziness, and definitely of the good variety.

This art-show business does actually get easier. For a long time I didn’t think that would ever happen.

Mind you, I’ve got a team behind me now, and their support and enthusiasm are pretty infectious (and it’s not just my show this time around). In fact, we’re meeting on the weekend to talk over some hush-hush, ultra-top-secret business. Just wait till you see the results. Oh, man…

Anyway, people are stepping up to bat and generally being excellent human beings. I could rave about that for hours, or about how beautiful women are keeping me informed as to what shoes and underwear (pink and/or black, obviously) they’ve bought for the show. But instead I’ll just treat you to another slideshow:

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Nine days to the big show. Anybody else as pumped for this as I am?


Alex Stewart, One Layer at a Time.

So I checked out the 24 Artists 24 Hours art show recently. It was held at a great gallery on Hastings called Sheppard’s Pie. You can get more info on the event here.

I dropped by on Saturday night about 6:30, and painting, drawing, sculpting, glassblowing and recording were all well underway. I’d come mainly to see my good buddy Alex Stewart, and offer my support (and a can of Full Throttle), but I ended up meeting a whole bunch of great, very talented local artists, any of whom I’d gladly go see again.

Alex had several pieces started when we got there, and over the next few hours we watched him work on all of them – one stencil at a time. The whole process was mesmerizing to witness. I decided then and there to interview Alex for this blog.

A few pics, then, before we get to the interview itself:

Now that you’ve survived the 24 Artists 24 Hours show, what’s next on the horizon for you? Besides sleep, I mean.

Hah, oh and sleep I did, next up is most definitely a few group shows! I’ve met a lot of wicked artists in the past few months and really enjoy the collaborative process.

What are your longterm plans, if any?

Future plans include many things mainly starting up my own studio and gallery, I would love to be able to help other artists in a more substantial way. That and I have so many ideas floating around in my head I would truly love to start working collaboratively more often and having a dedicated space for that would simply be amazing.

I’m really diggin’ your multi-layered stencil technique. How’d you develop that? Did it come from your automotive painting, or is it more of a graffiti thing?

Honestly, I’m not entirely sure how it all came together, as a kid I remember my mom making stencils to put on whatever she may have been working on, so that could be where it all came from. I could also blame it on my job or my addiction to graffiti, the first time I attempted a multi-layered stencil was just after a rather long session on stumble-upon where I found a video of Logan Hicks working, after that I was hooked.

How do you know when one of the stencil pieces is done?

I never really know when a piece is finished, I’ll cut a stencil one day, spray it the next, and have it hanging in my house for weeks. Then one day I’ll walk by it and think, “god, that is bugging me,” then figure out some way to change it. So I guess what I’m saying is that my pieces are never truly finished in a traditional sense. They keep evolving as long as they are in my possession. Though there are a few exceptions, The skulls from the 24 hour show in my mind are finished, I am beyond happy with how they turned out!

It’s kind of a generic question, but how did you get started drawing and painting? On a related note, are there any other artists in your family?

I’ve been told that as soon as I could hold a crayon I’ve been drawing. But I first started painting when my grandmother attempted to teach me to oil paint, which as you can see by how I work now didn’t entirely stick, I just don’t really have to patience for it. I love oil paintings (I love my grandmothers paintings) but it’s just not my medium. I guess in a way that answers the second part of that question. Both my Grandmother and Mom are artists, so I guess I come from a line of artists.

What other artists inspire you? Which ones would you most like to drink with? (You can include dead ones if you like.)

Hmmmm, artists that inspire me. I could list far to many, so I’ll just list the heavy hitters, Jeff Soto, Logan Hicks, and 2:12 are the three artists who’s work I check regularly just to see what they are up too. They all work in different fashions, that in my mind blend together so well. So I guess if I could bump into all three of them in the same bar, I would seem like a teenage girl at a spice girls concert in the 90s….

Would you say there’s an underlying message to your work?

I’m not sure if there is a hidden message in all of my pieces, some yes, but mostly I just paint what I find beautiful and interesting.

Have you considered any sort of merchandising? Shirts, prints, your own energy drink… ?

This I have put a decent amount of thought into, and am currently working on a few things. So you’ll just have to keep a eye open!

Do you take commissions? What’s the best way for people to contact you?

I do take commissions, when time and demand allows it, I can take on about 2-3 commissions a month depending on what else life throws at me. The best way to get ahold of me is either by email (enlifestudio@gmail.com) or just find me on twitter (@Enlifestudio) and get me a shout.

Is there anybody in particular you’d like to give a shoutout to?

Far to many! Mainly my friends and family for putting up with my ridiculousness, more than I care to count have I forgone a social life to paint, and I thank them for not disowning me for it.

Side note, anyone who brought me caffeine during the 24 hour show… I am forever indebted to you!

Thanks, Alex.

Metal Flake Remix – The Shocking True Story.

Well. As I write this it’s late Monday night. It’s been a pretty mellow day – slept in late, couldn’t really get focused on anything, though I did still get a lot done. Yesterday was a hangover day, though more in the spiritual/mental sense than the physical sense.

But Saturday? Ah, Saturday. That was a fine, fine day.

As you obviously know from previous posts, Saturday was the night of my latest show, Metal Flake Remix. We had a great turnout, and I met lots of new people, which is definitely one of the best perks of being an artist. And I sold lots of art, drank some delicious bourbon, and created six new paintings:

After the show, I sat up with a handful of close friends all night talking (okay, and occasionally drinking). By Sunday afternoon it felt like the day after the prom – I was tired and burned out, but very happy. And it felt like I’d taken a huge step in my life.

I definitely want to try live art again. What an amazing experience – I was nervous as hell about trying it, but once I got started I couldn’t have stopped if I tried. The music, the momentum, the amazing people watching, all combined to give me one hell of a kick in the ass. I know I have a lot to learn about this, of course – how to draw the audience in more, how to control the pace a little better, how not to blaze through all the work in just 20 minutes. But I’ll get there, with practice.

Some of my favourite moments – Kelly winning the painting we drew for, finally meeting some longtime Twitter friends face-to-face, putting the big blue handprint everywhere, tequila shots, having friends from the bad old days in Charlottetown on hand…

Plans are already afoot for upcoming shows, too. The Dino Show is tentatively scheduled for September, and I wouldn’t mind incorporating some live art into that as well. Closing Time is still a going concern, too (I’d really like to take my time and think that one through, though). And then there’s For a Dancer – those six paintings could conceivably be finished by early August. Not sure yet what will happen there, but it’d be nice to have a one-night mini-exhibit in a restaurant.

I certainly don’t want to oversaturate the market, so to speak. Fortunately my agent/marketing manager is passing on a ton of great advice in that regard, and in others as well.

So without further ado, some people I really need to thank: my family, John Watson and Imagemaker Photographic Studio, Kate MacDonald, Alex Stewart, Cosca Restaurant, the Après-midi Teahouse, Bailey Hunter, Lindsay Bayne, Derek Bolen and Karm from VanCity Buzz, Abbey Jackson, Kelle Belle, Dale Deruiter, Karina Halle and Team EiT, Corinna and Adam Carlson, Lola Frost, Lori Kittelberg, George Smeltzer, Samantha K, Matty Sadorf, Ned Tobin, Jonny Warkentin, Scott Graham, Oddball Workshop, Annie Friesen and Dottie’s Buttons, Jamie Lee Purgavie, Nicola Proctor, Cynthia Griffiths, John Lee, Ceci Graber, Andrea Waters, Geoff Gauthier, Steve Goodman, Mike Watson, Johnny B, Novo Pizzeria, MCNG Marketing, Felice Lam, Cathy Browne, Anthony Wittrock, David Dreger, Amanda West…

… and of course, in the Without-Whom Department: Tess McCann.

(Photo by Lindsay Bayne. All other photos courtesy of Cynthia Griffiths.)


Thoughts on the Remix Show

Two weeks from tonight, as you may already know, I’m putting on a new art show. The title is Metal Flake Remix, and as the title suggests, it’ll rework visual elements from the original Metal Flake show last fall.

The key difference is, this show will be mainly about live art. I’ll be whipping up a new series of paintings on the spot, in front of an audience. I’m aiming for six paintings of various sizes, done mainly with spraypaint and stencils – stencils based on the white lineart designs I used on the original series. I’m as curious as anybody to see how all that will turn out.

There’ll also be several new metalflake paintings available. And I’ll have a handful of older pieces for sale, as I’m trying to clear some of the clutter out of my studio and move forward with my art..

Further to that, if you’re planning to attend, bring a business card for the fishbowl – we’ll be holding a draw to give away one of the paintings.

The show will be in the same venue as January’s art sale: Imagemaker Photographic Studio (210-2075 Yukon Street at 4th).

Doors will open at 6:00PM, and the paint will start to fly around 7:00. Hope you can make it.