sketchbook

Superchicks – Still Available.

Full report on the show still to come, but here’s what’s still up for grabs. First, the metalflake paintings:

And then the sketches (all 8×10 inches, $50 apiece):

If there’s something you’ve got your eye on, let me know ASAP (prices do not include shipping). And if you’re interested in commissioning something you don’t see here, also let me know.

Thank you and goodnight.


And then it was April.

Here we are, a quarter of the year already done. The first big show of 2013 is over (and a damn successful one it was), and two more are in the works. Longterm strategies are being developed, and new venues and opportunities being explored.

Creatively I feel incredibly positive. The ideas just won’t stop coming, I’m happier with my drawing skills than ever before, and I keep thinking of new variations on my metalflake technique. This in particular is pleasing, given that I’ve finished 102 of these paintings and currently have another 17 in the works (obviously I don’t ever want this to turn into some sort of assembly-line process; frankly I think that having assistants do the bulk of your work for you borders on the fraudulent).

With the Hot Pink show and the Christmas Metalflake series, I played around with the technique, sometimes out of necessity, and other times just out of curiosity. I did several paintings with pulverized Christmas balls worked into the strata for texture and reflectivity. And the other day it occurred to me that I could also use gold leaf in my backgrounds.

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This experiment turned out even better than I’d anticipated. And it got me thinking about some other new possibilities.

A few specifics, then, before the conversation takes a turn for the personal. The Ocean Rain show, which you’ve already seen hints of, is progressing nicely. Expect an announcement regarding this very soon – we’re hoping for an early May launch date.

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The show after that will most likely use superheroes and science fiction as its launching point.

After that I’d like to do something with an automotive theme, and of course we’ll be doing something Christmassy as well, in the fall (truth be told, we’ve probably got ideas for a dozen shows). Also in the fall, we’ll be releasing a book and/or calendar of T-Rex illustrations. Three of them are done already, and the Agent and I have been brainstorming on lots more.

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And by this time next year I want to have my work in galleries.

So, enough business. Let’s talk about what else has been going on. Last year, as documented again and again (and AGAIN), felt like some sort of trial to me. One trauma after another, month in, month out. By November I was a bit of a mess.

I can’t pinpoint any one specific moment when the game changed (unlike, say, in 2011), but a lot of minor victories added up to help pull me out of my funk.

And this process continued through January and February, to the point where I finally feel like I’ve gotten my groove back (I won’t lie; I was extremely worried about that, and for a long, long time). Friends and family have done their part to help, chance encounters have led to new opportunities… and inspiration? Inspiration is EVERYWHERE. I’m on fire creatively.

I’m back, baby.

Bret Taylor
Vancouver, BC
April, 2013.


Hot Pink – the Latest.

Pretty caught up in art-show excitement these days. So much so that I almost forgot about the blog.

But many amazing things are happening. Paintings are already selling, buttons have arrived, a new shirt is almost ready, sketches are being posed for, greeting cards are available, and the Hot Pink Peeler Mix playlist is nearly finished. All sorts of craziness, and definitely of the good variety.

This art-show business does actually get easier. For a long time I didn’t think that would ever happen.

Mind you, I’ve got a team behind me now, and their support and enthusiasm are pretty infectious (and it’s not just my show this time around). In fact, we’re meeting on the weekend to talk over some hush-hush, ultra-top-secret business. Just wait till you see the results. Oh, man…

Anyway, people are stepping up to bat and generally being excellent human beings. I could rave about that for hours, or about how beautiful women are keeping me informed as to what shoes and underwear (pink and/or black, obviously) they’ve bought for the show. But instead I’ll just treat you to another slideshow:

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Nine days to the big show. Anybody else as pumped for this as I am?


Sketchbook Diary Update

I’ve mentioned this before, but I picked up a nice little sketchbook from Zequenz back in the spring, and I take it with me whenever possible. I like documenting simple, cool little things when I’m visiting friends, or in a restaurant, etc. It’s become a visual diary to mark little events (and big ones too, I guess). Very nice smooth-finish paper in it, and the book will fold flat when you open it, which is nice for both drawing and scanning.

It also keeps me drawing on a regular basis, which is crucial. I’ve found over the past couple months that it’s really helped crystallize my drawing style. This actually caught me by surprise, because I’ve never really tried to find a specific style.

And yet, it seems to be happening, and it feels damn good.

Not long ago we were barbecuing at a friend’s place, and I saw a wooden giraffe that I just had to draw:

Giraffe

I definitely want to pursue more art along these lines.

And then just last week I was hanging with some other friends, watching Misfits on Netflix and pigging out on Wendy’s. At some point I looked around for something to draw, and saw an Imperial Stormtrooper helmet. These are pretty ornate pieces of design work, so there were some minor challenges to drawing one.

But I like how this turned out, and it was probably only 10-15 minutes’ work:

Stormtrooper

More to come in the future.


One Thousand Days

Unless you’re a newcomer to this site, you probably know that I recently completed a thousand consecutive days of art. Every one of those days, from January 1/2010 – October 1/2012, I drew and/or painted, without fail.

One thousand days.

As time went on, the numbers actually began to mean less and less to me. Because it was really about the journey, of course. About what I learned, where I went, how I changed.

The past few years have been challenging, to say the least. Apart from the financial hardships of the recession and its aftermath, one thing I’ve been struggling with is the lack of structure in my life (I’m a freelancer, by the way). So the added benefits to this extended art experiment are just that – structure, purpose, direction.

For a long time people were asking me what I planned to do on the final day. I considered several options, because I wanted to do something momentous. But in the end these options fell through, so I decided that the best course of action would be…

… Business as Usual.

After all, I had a show to prepare for. Paintings to finish, logistics to be sorted out, all sorts of promotional work to do. Putting on an art show is no small task.

So when I got up that morning, I did a quick little sketch, just in case:

That way if the sun exploded or we got invaded by zombies, at least I could still say I reached the 1000th day.

(Fortunately they didn’t. But hey, you never know.)

After that it was back to the metalflake dinosaur paintings. Since my T-Rex sketch from back in February was the central image in my upcoming show, I decided that finishing one of those pieces would be my best bet. And that just seemed fitting – it tied in with the show, with my calendar, and any number of other peripheral art ventures. Plus it was inspired in the first place by the person who’s made the biggest mark in my life during the Project – my Agent and former Muse.

So there you have it. One thousand days. I painted and drew a lot, I learned a lot, I sweated and bled, and I’m still standing.

Oh, and one more thing: I’m already working an art book based on the experience. Watch this space for further details.


Big Art Weekend.

It’s finally summer here in the GVRD*. And what better way to spend a summer weekend than being immersed in art?

Friday night, bring a proud, card-carrying member of the Vancouver Art gallery, I attended the Collecting Matisse and Modern Masters opening. I honestly had no idea Matisse was so prolific, much less in so many mediums. His pen-and-ink work in particular really caught my eye – the linework was beautiful, and so fluid.

It was nice to see another Van Gogh and another Renoir, too. I feel a real kinship for Vincent in particular.

Saturday was mostly spent outside in the park, barbecuing and soaking up the sun with friends. That night we moved the festivities back to my buddy Mike’s place for drinks and general good times, before closing the night at the Dover Arms. While we were all at Mike’s, I whipped up a couple more Sketchbook Diary entries, including this ashtray:

And today (Sunday) I’ve been working on the playlist for next month’s Metalflake Remix show. I haven’t sorted all the details yet, but it’ll be taking place the night of Saturday, June 16, and I’ll be creating live art all night (expect an official announcement very soon).

In other art news, potential new painting concepts seem to be popping into my head on a daily basis now. Here’s a couple to tantalize you:

Hope everybody else’s summer is off to a great start.

*Greater Vancouver Regional District.


Closing Time.

Further thoughts on the latest show/series concept: the title will be “Closing Time”, after the Leonard Cohen song of the same name. And when the show happens, people will have the option of buying the original paintings, or buying a book of the preliminary sketches.

Two more from the past few nights, then:

More info as it occurs to me, obviously.