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Superchicks – Still Available.

Full report on the show still to come, but here’s what’s still up for grabs. First, the metalflake paintings:

And then the sketches (all 8×10 inches, $50 apiece):

If there’s something you’ve got your eye on, let me know ASAP (prices do not include shipping). And if you’re interested in commissioning something you don’t see here, also let me know.

Thank you and goodnight.


7 Art Shows and What I’ve Learned.

Metal Flake

My first solo show. I went into it practically blind, and it wasn’t till a week before it opened that I had someone to help me out with the planning. Fortunately it all came together nicely anyway, though.

What I learned:

• that it feels amazing to bring strangers together.
• that brown is a tricky colour to glaze with.
• that not everything will sell.
• that good lighting is crucial.
• that the private afterparty is the best part of a show.

Metalflake Remix

Eight months later, I tried it again. I put on a live-art show, but also had a variety of new and old metalflake pieces on hand, plus a pretty random assortment of non-metalflake pieces.

What I learned:

• that it’s impossible to go slow when you’re painting in front of a crowd.
• that if there are metalflake and non-metalflake pieces in a show, nobody will look at the non-metalflake ones.
• that consistency of style and theme are crucial.

Dinosaurs

Armed with a new agent and a new series of paintings, this was my first show with some actual strategy behind it. We had an all-ages afternoon portion, and then an adults-only afterparty. We also had a dinosaur cake, buttons, and even costumes (some people really get into a good theme).

What I learned:

• that everybody loves dinosaurs.
• that eight hours is a long damn time to be standing and schmoozing.
• that a lot can change in a year.
• that cheap masking tape from the dollar store is the only way to go.

Hot Pink

This show was a joint effort between Alex Stewart and I, based on a pin-up girl theme. Everybody involved (and it was a sizable crew) really brought their A-game. The show was a smash, and a real event.

What I learned:

• that everybody loves pin-up girls.
• that sanding the edges of a painting before glazing adds so much.
• that audience participation is the best form of publicity, and people love to dress up.
• that collaborating with another artist is an amazing experience.
• that spraypaint is your friend.
• that baseboard heaters are pretty useful for drying paintings.
• that under the right circumstances you can get away with almost anything.
• that I don’t have pre-show jitters anymore.

Ocean Rain

A much longer show (it ran for 3 months), a brand new venue, and overall a serious change of pace. The opening had a relatively small turnout, but that was okay. Nearly all of the paintings were sold before they were even hung at the venue – some before they were even finished.

What I learned:

• that everybody loves undersea creatures.
• that putting together contracts is exhausting but educational.
• that people can and will let you down, but other people will raise you back up.
• that blues and greens are inherently more intense colours.
• that octopi are incredibly hard to draw.
• that I shouldn’t schedule an art show opening for Mother’s Day.
• that X-Acto blades are sharp.
• that leaving the biggest, most crucial painting in a show till last isn’t such a bright idea.
• that borders aren’t necessary.

Ka-Pow!

Another new venue, and many new people were in attendance. Superheroes seemed like a natural fit for my art style and process, and sure enough, this was easily my most successful show to date (particularly if you factor in all the spin-off commissions I got from it). Also, the food was astounding, and once again I was treated like a star. This show opened all sorts of doors for me, too.

What I learned:

• that everybody loves superheroes.
• that putting on a show by myself isn’t actually that hard.
• that going hog wild with colour is a liberating experience.
• that light refraction is what makes the colours really pop.
• that mica flake gel is a gamechanger.
• that lipstick on your forehead is a great conversational gambit.
• that people really do care about Green Arrow.

Cocktails

My fourth and final venue for 2013, and one well-suited to the topic at hand. Everything about the experience was positive, from the formal-dress aspect, to the involvement of one of my favourite whiskeys as a sponsor. And while there were no pre-sales, I did sell half the paintings in a matter of five hours that night.

What I learned:

• that everybody loves cocktails.
• that every girl crazy for a sharp-dressed man.
• that art shows should always have signature cocktails.
• that black lava gel is a must, not just an option.
• that when the baseboard heaters just aren’t enough, the top of the toaster oven can also be pressed into service to make paintings dry faster.
• that a splash of iridescent colour under the top layer of clear is like a revolution for the eyes.
• that a venue so close to home is a godsend at the end of the show (particularly when you’re in a hurry to celebrate for another five hours).
• that pulled pork mac and cheese defies description.
• that not even Pearl Jam can keep the people who really want to be at the show from attending.


A Merry Little Christmas Announcement

You heard it here first. I’m releasing 4 of the metalflake Christmas paintings as Christmas cards (and postcards) as well:

 

 

 

Each of those 4 images is a separate card, of course. And they’re all in my RedBubble store.

(RedBubble, incidentally, has a Black Friday sale on at the moment. Everything is 15% off.)


T-Shirt Thursday, Round 18

In keeping with the spirit of the season, here’s a new Santa shirt for you (or y’know, you could always give it to somebody else as a present, too):

 

 

And as always, it’s in my RedBubble store.


T-Shirt Thursdays, Round 02.

Just wanted to tell everybody that last week’s inaugural installment of T-Shirt Thursdays was a success, and that we’re back this week with two new options:

How do those look, whisky lovers?


February 2012 Catchall.

So. One month of 2012 is done already. Not exactly one of my better ones, though I’m slowly coming to accept that maybe January will always suck.

Anyhow, January’s done, so February’s a (minor) fresh start, right? Lots happening artwise, as is often the case. There’s a whole raft of metalflake paintings that will hopefully be finished soon. Including a piece I called “For a Dancer” (after the Jackson Browne song of the same name):

What you’re seeing here is a mockup, of course. I first envisioned this painting back in August after one of those life-changing late-night conversations. But when I mocked up the whole thing up tonight, I have to admit I was taken aback just a bit. This is a very personal piece, so it’s gratifying to see the emotional impact it has.

Inspirational verse:

“I don’t remember losing track of you,
You were always dancing in and out of view,
I must have thought you’d always be around.”

Moving on to the next item on the agenda, I’m sharing this link from Franziska San Pedro’s blog, entitled “How The Internet Can Change Your Life.” Interesting reading.

And finally, I’ve posted a couple new t-shirt designs to my RedBubble store just in time for Valentine’s Day:

Carry on, then.
Bret Taylor
Day 762/1000.


Shotglass-a-Day Project, Day 10/31.

Saw this one at the Muse’s place tonight, and just had to draw it:

Ink and watercolour. Only artistic license I used was in colouring the skull red to give it more emphasis.


Shotglass-a-Day Project, Day 09/31.

Got this particular glass from my good buddy Paul Whitt, along with a matching flask. He allegedly found it in an establishment of questionable moral fiber:

Coloured pencil.


Seven Hundred Days.

… and counting. My brain is practically exploding with ideas lately. Something like twenty paintings are currently in the works, and ideas for more come every day. Having your brain on fire is kind of a weird, surreal thing sometimes. But I’ve learned to just roll with it.

In particular, ideas for the show/book of pinup girls in bars just keep popping up. I’ve tweaked the idea from the other day, and sketched out another. I’ve got concepts in mind for almost ten more.

Here’s where things stand right now:

I’ve also just complete two 6×6-inch metalflake paintings that I’m pretty happy with. Been thinking for awhile of doing some with just a simple border and no other linework, and lo and behold, the concept works:

On top of that there are Christmas gifts and five commissions in the works. Busy, busy.

And that’s my story.


Addendum.

Further to the last post, here’s another shot of the red metalflake:

Just added a layer of clear (Liquitex Pouring Medium in this particular case) yesterday, and the added depth really makes a difference. Planning to add another layer or two in the coming days.