metalflake

Superchicks – Still Available.

Full report on the show still to come, but here’s what’s still up for grabs. First, the metalflake paintings:

And then the sketches (all 8×10 inches, $50 apiece):

If there’s something you’ve got your eye on, let me know ASAP (prices do not include shipping). And if you’re interested in commissioning something you don’t see here, also let me know.

Thank you and goodnight.


The Summer 2014 Studio Sale

If you’ve been following my art career, you know I’m a bit on the prolific side – I love to paint, and I have a lot to say. So it may not come as a total surprise that I’ve got a fair number of paintings on hand at the moment. I’d go so far as to call it a backlog, even.

And I work out of a small studio, so space is at a premium (can you see where this is going?).

I sat looking at all these pieces today, and decided I need to move some of them. Which is where you come in – I’m marking these down so I can free up some space, and you can score some art bargains.

Without further ado, then, here’s what’s for sale:

If you have your eye on a piece, drop me a line at howyadoin@gmail.com and refer to the sale in the email title.

The fine print:

Prices are in effect till Friday, August 1, 2014. Prices do not include shipping.

Dark Valentine Recap

01 Calendar

So my first show of 2014 is finished. Dark Valentine was another stellar experience for me, of course – these events mean more to me than I could ever really explain. People from different parts of my life (some who I had never even met before), all brought together by my art? After eight shows, that still floors me at times.

There was a great turnout again at Score on Davie – including several first-timers, which is always nice. It’s great to see the Gospel of Metalflake spreading far and wide.

02 Party People 01 03 Party People 02

Keith from Score came up with another delicious, powerful cocktail for the show, and this one even topped the Howyadoin Whiskey Sour from last time. Here’s my first Broken Heart of the night:

04 Broken Heart_0185

Irish whiskey (thanks to the amazing Simone Kelly, Jameson Ambassador par excellence), ginger liqueur, lemon juice, and a hint of maple syrup. Seriously, you gotta try one of these sometime.

Or maybe two, even.

Should I actually talk about the art? Yeah, I guess I should. Here’s the centerpiece of the show, a painting called “Once Upon a Wine”. It features three of the four main characters: Sleeping Beauty, Snow White, and Cinderella:

05 OnceUponaWine_P7A9857

(In researching the fairytale characters for the show, I came across all sorts of interesting trivia, and some pretty dark versions of their stories. The sheer amount of murder in the original stories is kind of astounding. So I came up with an overall narrative for the show, tying several of these tales together and bringing the evil Queen of Hearts (she’s kind of a serial evil stepmother) into the mix as a sort of catalyst. Along the way the characters began to establish their own identities in my head, shaping the final paintings in ways I hadn’t anticipated.)

Here are a few of the paintings on the wall:

06 Group 02 07 Group 03

And here’s the evil Queen in all her reflected glory, in a piece titled “Who’s the Fairest?”:

08 Queen of Hearts_P7A9858

The other key painting in the show is this one, “Awakening”:

09 Awakening_P7A9859

The significance of this one changed several times during my creative process, as the story seemed to rewrite itself. So, hearing people’s reactions and interpretations has been fascinating. And those interpretations add their own layers of meaning, as well. Art should, after all, be an ongoing dialogue.

And finally, the night drew to a close:

10 End of the Night

I was feeling a bit rough the next day, but Simone treated me to lunch after I took the paintings down, and after that pulled pork mac & cheese hotdog, I recovered completely. As Valentine’s Days go, that was a pretty good one. Especially once this magic elixir entered the picture:

11 Jameson_0197

The End.

P.S. In the credit-where-credit-is-due department, I would like to thank these fine people for all they do:

Jewel Staite, for suggesting the concept to me in the first place, back in December (and for buying the Queen of Hearts). It makes me very happy knowing this painting is now hers.

Simone Kelly, for lunch, whiskey, and being an all-around epic human being.

Keith Corbett from Score, for pulling all of this together, providing the venue, and for excellent, excellent cocktails.

Bon Bahar, Amanda West, Cathy Browne, Meghan Kilner, Krista Falconer, Donna Jaggard, Dan Udey, Corrina Carlson, Adam Carlson, Steve Graham, Steve Kinsey, Chrissy Watson, John Watson, George Smeltzer, Nikkie Milne, Melissa Jones, Kyle Reid, Mike Watson, Aaron MacDonald, Scott McLeod, Lyndsey MacEwen, Stephanie Hogan, Jordana Manchester, Holly D’herty, Ian MacKinnon, Lindsay Bayne, Patrick Masse, Theresa Barteluk, Johnny Warkentin, Geoff Gautier, Cynthia Griffiths, Matt Bosch, Jay Holtslander, Katherine Houston.

Annie Friesen, for the buttons and the creative support.

Derek Bolen, for instigating.

Shannon Nilson, for naming “Once Upon a Wine”.

And Jamie Lee Purgavie, for always believing.

(Photos courtesy of imagemaker photographic studio, Bon Bahar, Jordana Manchester, and Simone Kelly.)


7 Art Shows and What I’ve Learned.

Metal Flake

My first solo show. I went into it practically blind, and it wasn’t till a week before it opened that I had someone to help me out with the planning. Fortunately it all came together nicely anyway, though.

What I learned:

• that it feels amazing to bring strangers together.
• that brown is a tricky colour to glaze with.
• that not everything will sell.
• that good lighting is crucial.
• that the private afterparty is the best part of a show.

Metalflake Remix

Eight months later, I tried it again. I put on a live-art show, but also had a variety of new and old metalflake pieces on hand, plus a pretty random assortment of non-metalflake pieces.

What I learned:

• that it’s impossible to go slow when you’re painting in front of a crowd.
• that if there are metalflake and non-metalflake pieces in a show, nobody will look at the non-metalflake ones.
• that consistency of style and theme are crucial.

Dinosaurs

Armed with a new agent and a new series of paintings, this was my first show with some actual strategy behind it. We had an all-ages afternoon portion, and then an adults-only afterparty. We also had a dinosaur cake, buttons, and even costumes (some people really get into a good theme).

What I learned:

• that everybody loves dinosaurs.
• that eight hours is a long damn time to be standing and schmoozing.
• that a lot can change in a year.
• that cheap masking tape from the dollar store is the only way to go.

Hot Pink

This show was a joint effort between Alex Stewart and I, based on a pin-up girl theme. Everybody involved (and it was a sizable crew) really brought their A-game. The show was a smash, and a real event.

What I learned:

• that everybody loves pin-up girls.
• that sanding the edges of a painting before glazing adds so much.
• that audience participation is the best form of publicity, and people love to dress up.
• that collaborating with another artist is an amazing experience.
• that spraypaint is your friend.
• that baseboard heaters are pretty useful for drying paintings.
• that under the right circumstances you can get away with almost anything.
• that I don’t have pre-show jitters anymore.

Ocean Rain

A much longer show (it ran for 3 months), a brand new venue, and overall a serious change of pace. The opening had a relatively small turnout, but that was okay. Nearly all of the paintings were sold before they were even hung at the venue – some before they were even finished.

What I learned:

• that everybody loves undersea creatures.
• that putting together contracts is exhausting but educational.
• that people can and will let you down, but other people will raise you back up.
• that blues and greens are inherently more intense colours.
• that octopi are incredibly hard to draw.
• that I shouldn’t schedule an art show opening for Mother’s Day.
• that X-Acto blades are sharp.
• that leaving the biggest, most crucial painting in a show till last isn’t such a bright idea.
• that borders aren’t necessary.

Ka-Pow!

Another new venue, and many new people were in attendance. Superheroes seemed like a natural fit for my art style and process, and sure enough, this was easily my most successful show to date (particularly if you factor in all the spin-off commissions I got from it). Also, the food was astounding, and once again I was treated like a star. This show opened all sorts of doors for me, too.

What I learned:

• that everybody loves superheroes.
• that putting on a show by myself isn’t actually that hard.
• that going hog wild with colour is a liberating experience.
• that light refraction is what makes the colours really pop.
• that mica flake gel is a gamechanger.
• that lipstick on your forehead is a great conversational gambit.
• that people really do care about Green Arrow.

Cocktails

My fourth and final venue for 2013, and one well-suited to the topic at hand. Everything about the experience was positive, from the formal-dress aspect, to the involvement of one of my favourite whiskeys as a sponsor. And while there were no pre-sales, I did sell half the paintings in a matter of five hours that night.

What I learned:

• that everybody loves cocktails.
• that every girl crazy for a sharp-dressed man.
• that art shows should always have signature cocktails.
• that black lava gel is a must, not just an option.
• that when the baseboard heaters just aren’t enough, the top of the toaster oven can also be pressed into service to make paintings dry faster.
• that a splash of iridescent colour under the top layer of clear is like a revolution for the eyes.
• that a venue so close to home is a godsend at the end of the show (particularly when you’re in a hurry to celebrate for another five hours).
• that pulled pork mac and cheese defies description.
• that not even Pearl Jam can keep the people who really want to be at the show from attending.


The Glamorous Life

Another art show is officially done. Cocktails was the first formal-dress event I’ve put on so far, and I have to say it was a rousing success. A great turnout, impressive sales, and everybody looked like a million bucks.

But wait. I’m getting ahead of myself here.

Wednesday morning I was up early, packing up the paintings and heading to Score on Davie to set up. Score is a great venue, with a much bigger room than you’d anticipate from seeing the outside of the building, and fantastic lighting, too.

01_Setup

It only took a few minutes to set things up; after eight shows I’m kind of an old hand at this.

02_Display

All the while this was going on, I could smell food aromas coming out of the kitchen. So once the show was hung, I sat down and ordered some breakfast.

03_Breakfast

The management and staff of Score were very enthusiastic about the show, and very accommodating. They’ve had art shows there in the past, and it showed in how professionally they handled everything.

04_Sign

Of course I live-tweeted the whole process, and I had three paintings sold before I even finished that Jack & Coke.

05_Sold

After that I ran a few errands, and went home to do a bit of painting before suiting up for the evening’s festivities.

Then it was party time.

06_Glam

The night went something like this for me: sell a painting, have my picture taken with a beautiful woman, drink a signature Howyadoin Whiskey Sour (Jameson whiskey, hand-squeezed lemonade, free-range pasteurized egg whites, and Angostura bitters), schmooze, sell a painting, have my picture taken…

07_Amanda

08_Sour

The drinks were potent, delicious, and incredibly cheap, thanks to the involvement of Simone Kelly, who came all the way from Ireland just to promote her favourite whiskey (she was also kind enough to treat me to a shot).

09_Simone

Several times that night, things started to slow down and I thought maybe the party was over. But then there’d be another influx of people, and the cycle would start again. Even as the Pearl Jam show ended, more people were still arriving.

We finally wrapped things up around 1:00AM, and then a friend from the bad old days who I hadn’t seen in a year came back to my bar, and we cracked open another bottle of (you guessed it) Jameson and drank and talked till 6:00AM.

So I’d like to thank these most excellent people for their contributions to the evening:

Jessi, Keith, Rob, Shiz and Jessica at Score, for… everything, basically (not just the free meals).

Derek Bolen, for lining up the dominoes.

Simone Kelly, for all things whiskey-related.

Annie Friesen, for the buttons, the artistic encouragement, and generally being an excellent human being.

And Krista Falconer, Jewel Staite, Mark Fox, Cher Staite, George Smeltzer, Lori Kittelberg, Cathy Browne, Katherine MacDonald, Doug Farmer, Scott Graham, Lyndsey Locke, Cristina Weir, Sam Anderson, Dale De Ruiter, Donna Jaggard, Dan Udey, Amanda West, Meghan Kilner and Shaun, Candie Tanaka, Adam & Corinna Carlson, Nikkie Milne, Melissa Jones, Johnny B., Ian Martin & “Holly”, Rochele Potter, Tiffany Shim, Don Falconer, Lindsay Bayne, Ian MacKinnon, Theresa Barteluk, Kyle Reid, Chris, and Sean (I’m sure I must be forgetting somebody here).

I thank you, one and all. You made my day.

Photos courtesy of Amanda West, Lyndsey Locke, Simone Kelly, Dan Udey.

Christmas Metalflake 2.0

Had a great experience at a Christmas craft fair this weekend. And as luck would have it, there are still a few of this year’s metalflake Christmas paintings up for grabs (I painted a lot).

So here’s an overview of what’s available. They’re all 3×4 inches, and the price is $30 apiece (not including shipping). If there’s one you have your eye on, drop me a line at howyadoin@gmail.com, or message me on Facebook or Twitter.


Anniversaries

Where were you on this date in 2011? I was at the Tipper, putting on my first art show (you can read all about it here).

Anyway, I just realized a couple hours ago, so I figured I should blog to honour the occasion. ‘Cause really, it’s been a pretty tumultuous two years in my life and my art career.

At times – let’s be honest here – it’s felt like some sort of epic struggle against the forces of evil, but after twenty-four months and seven shows, I feel like I’m on the winning side now.

I went into that first show with barely a fucking clue what I was doing, but with a little help from my friends, it went off without a hitch anyway. And since then the shows just keep getting bigger and better.

So indulge me. Let me take a moment to single out these amazing people:

John Watson of imagemaker photographic studio, who was kind enough to provide a venue for four of the shows, who photographs all my paintings and documents the shows, and who’s generally a good friend and a swell guy.

Tess McCann, who worked as my agent for a year and taught me so much.

Colin, Cameron, and P.J. from the Tipper, where that first show happened.

Aaron, Margarete, Eve and Alan from the HiVE, the site of Ocean Rain.

James and Brian from EXP Restaurant, where we had the latest art extravaganza, Ka-Pow!

Annie Friesen of Dottie’s Buttons, who’s become sort of a strategic partner in all of this crazy business.

Alex Stewart, who joined forces with me for Hot Pink.

Lyndsey MacEwen, who helped save the day at Ocean Rain, and who’s been a genuine inspiration in my life.

And everybody who’s bought a painting, come to a show, shared a link online, dressed up in something special, bought or commissioned a painting, driven the getaway car, bought me a drink, sang me a song, or otherwise been an epic human being.

My hat is off to you.


Ka-Pow!

Just a quick note: we’re in the process of sorting details for the next show, entitled “Ka-Pow!: The Age of Heroes”. It’s a tribute to superheroes, which, when I was a little kid, were my main reason for learning to draw.

Here’s a little sneak preview:

 

batgirl Fantastic

 

Stay tuned.


The Official Ocean Rain Recap

On Sunday, May 12th, I had the distinct pleasure of holding my sixth art show. This one broke new ground in terms of venue (the HiVE), timing and structure. And if audience reactions are any indication, in terms of the art itself.

I mixed things up some this time around – metalflake paintings without the border treatment I usually employ, less square-format pieces than usual, size and shapes I don’t usually work in. Plus a more multi-layered approach to glazing and iridescents.

And the subject really seemed to strike a chord with people.

A few visual highlights:

Buttons_P7A9994_LR

Buttons courtesy of Annie Friesen and Dottie’s Buttons.

Crowd_P7A0023_LR

Some of the fine people who showed up.

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The long-distance traveler award goes to Jaime, who came over from Vancouver Island for the show.

Jacquie_P7A0034_LR

Team Sizzr represents.

Mesmerized_P7A0012_LR

Mesmerized.

NotAaron_P7A0030_LR

Oops. Not Aaron.

Swordfight_P7A0014_LR

In which I demonstrate a narwhal/unicorn swordfight.

Team_P7A0038_LR

All the support in the world.

Trio_P7A9999_LR

 Very serious discussion.
So I’m calling this another one for the victory column. I had an amazing day. Every time we put on another show, there’s less stress to deal with, and the process gets more streamlined.

__________________________________

A very special thank-you to:

Tess McCann, who put the pieces together.

John Watson, who documented the process.

Lyndsey MacEwen, who stepped up to bat.

Jaime Lee Purgavie, who believed.

Annie Friesen, who buttoned it all up.

Mike Watson, who drove the getaway car.

Lindsay Bayne, who wisely said “narwhal!”

Cindy McShane, Karina Halle, Kate MacDonald, and Lyndsey Locke, who bought the paintings.

Aaron Cruikshank, Eve Rickert, Margarete Hernandez, and Alan Cheung from the HiVE, who gave me the opportunity.

Heather Prost, Jess Couture, Meghan Kilner, Kyle Reid, Jenn Derksen, Steve Kinsey, Scott Graham, Ian McKinnon, Katie Moran, Jacquie Clarke, Cheryl Cheeks, Kitty Nichols, and Mike C., who kept the faith.

Tom Odell and Lucy Schwartz, who provided the musical portion of the (very) exclusive afterparty.

Paul Keelan, who supplied my ticket.

Christy McNeil, Julia Gaetz, and Amanda West, who all made valiant efforts.

Jack Daniel, for service above and beyond the call of duty.

(Photos courtesy of John Watson and Imagemaker Photographic Studio.)


And then it was April.

Here we are, a quarter of the year already done. The first big show of 2013 is over (and a damn successful one it was), and two more are in the works. Longterm strategies are being developed, and new venues and opportunities being explored.

Creatively I feel incredibly positive. The ideas just won’t stop coming, I’m happier with my drawing skills than ever before, and I keep thinking of new variations on my metalflake technique. This in particular is pleasing, given that I’ve finished 102 of these paintings and currently have another 17 in the works (obviously I don’t ever want this to turn into some sort of assembly-line process; frankly I think that having assistants do the bulk of your work for you borders on the fraudulent).

With the Hot Pink show and the Christmas Metalflake series, I played around with the technique, sometimes out of necessity, and other times just out of curiosity. I did several paintings with pulverized Christmas balls worked into the strata for texture and reflectivity. And the other day it occurred to me that I could also use gold leaf in my backgrounds.

IMG_4112_Crp

This experiment turned out even better than I’d anticipated. And it got me thinking about some other new possibilities.

A few specifics, then, before the conversation takes a turn for the personal. The Ocean Rain show, which you’ve already seen hints of, is progressing nicely. Expect an announcement regarding this very soon – we’re hoping for an early May launch date.

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IMG_4111_Crp

The show after that will most likely use superheroes and science fiction as its launching point.

After that I’d like to do something with an automotive theme, and of course we’ll be doing something Christmassy as well, in the fall (truth be told, we’ve probably got ideas for a dozen shows). Also in the fall, we’ll be releasing a book and/or calendar of T-Rex illustrations. Three of them are done already, and the Agent and I have been brainstorming on lots more.

TRex_Easter

And by this time next year I want to have my work in galleries.

So, enough business. Let’s talk about what else has been going on. Last year, as documented again and again (and AGAIN), felt like some sort of trial to me. One trauma after another, month in, month out. By November I was a bit of a mess.

I can’t pinpoint any one specific moment when the game changed (unlike, say, in 2011), but a lot of minor victories added up to help pull me out of my funk.

And this process continued through January and February, to the point where I finally feel like I’ve gotten my groove back (I won’t lie; I was extremely worried about that, and for a long, long time). Friends and family have done their part to help, chance encounters have led to new opportunities… and inspiration? Inspiration is EVERYWHERE. I’m on fire creatively.

I’m back, baby.

Bret Taylor
Vancouver, BC
April, 2013.