magenta

And then it was April.

Here we are, a quarter of the year already done. The first big show of 2013 is over (and a damn successful one it was), and two more are in the works. Longterm strategies are being developed, and new venues and opportunities being explored.

Creatively I feel incredibly positive. The ideas just won’t stop coming, I’m happier with my drawing skills than ever before, and I keep thinking of new variations on my metalflake technique. This in particular is pleasing, given that I’ve finished 102 of these paintings and currently have another 17 in the works (obviously I don’t ever want this to turn into some sort of assembly-line process; frankly I think that having assistants do the bulk of your work for you borders on the fraudulent).

With the Hot Pink show and the Christmas Metalflake series, I played around with the technique, sometimes out of necessity, and other times just out of curiosity. I did several paintings with pulverized Christmas balls worked into the strata for texture and reflectivity. And the other day it occurred to me that I could also use gold leaf in my backgrounds.

This experiment turned out even better than I’d anticipated. And it got me thinking about some other new possibilities.

A few specifics, then, before the conversation takes a turn for the personal. The Ocean Rain show, which you’ve already seen hints of, is progressing nicely. Expect an announcement regarding this very soon – we’re hoping for an early May launch date.

The show after that will most likely use superheroes and science fiction as its launching point.

After that I’d like to do something with an automotive theme, and of course we’ll be doing something Christmassy as well, in the fall (truth be told, we’ve probably got ideas for a dozen shows). Also in the fall, we’ll be releasing a book and/or calendar of T-Rex illustrations. Three of them are done already, and the Agent and I have been brainstorming on lots more.

And by this time next year I want to have my work in galleries.

So, enough business. Let’s talk about what else has been going on. Last year, as documented again and again (and AGAIN ), felt like some sort of trial to me. One trauma after another, month in, month out. By November I was a bit of a mess.

I can’t pinpoint any one specific moment when the game changed (unlike, say, in 2011), but a lot of minor victories added up to help pull me out of my funk.

And this process continued through January and February, to the point where I finally feel like I’ve gotten my groove back (I won’t lie; I was extremely worried about that, and for a long, long time). Friends and family have done their part to help, chance encounters have led to new opportunities… and inspiration? Inspiration is EVERYWHERE . I’m on fire creatively.

I’m back , baby.

Bret Taylor
Vancouver, BC
April, 2013.


Available.

First off, you may have noticed the lack of a report on the Hot Pink show. Fear not; it’s happening. It’s just been.. delayed a little while I recover. Further to that, though, this particular handful of paintings is still available for purchase:

Should something here catch your eye, please contact my agent, the lovely and talented Tess McCann , and she can arrange things for you.

Thanks,
Bret Taylor
Vancouver, BC
March 2013


Hot Pink – the Latest.

Pretty caught up in art-show excitement these days. So much so that I almost forgot about the blog.

But many amazing things are happening. Paintings are already selling, buttons have arrived, a new shirt is almost ready, sketches are being posed for, greeting cards are available, and the Hot Pink Peeler Mix playlist is nearly finished. All sorts of craziness, and definitely of the good variety.

This art-show business does actually get easier. For a long time I didn’t think that would ever happen.

Mind you, I’ve got a team behind me now, and their support and enthusiasm are pretty infectious (and it’s not just my show this time around). In fact, we’re meeting on the weekend to talk over some hush-hush, ultra-top-secret business. Just wait till you see the results. Oh, man…

Anyway, people are stepping up to bat and generally being excellent human beings. I could rave about that for hours, or about how beautiful women are keeping me informed as to what shoes and underwear (pink and/or black, obviously) they’ve bought for the show. But instead I’ll just treat you to another slideshow:

This slideshow requires JavaScript.

Nine days to the big show. Anybody else as pumped for this as I am?


So. One month of 2012 is done already. Not exactly one of my better ones, though I’m slowly coming to accept that maybe January will always suck.

Anyhow, January’s done, so February’s a (minor) fresh start, right? Lots happening artwise, as is often the case. There’s a whole raft of metalflake paintings that will hopefully be finished soon. Including a piece I called “For a Dancer” (after the Jackson Browne song of the same name):

What you’re seeing here is a mockup, of course. I first envisioned this painting back in August after one of those life-changing late-night conversations. But when I mocked up the whole thing up tonight, I have to admit I was taken aback just a bit. This is a very personal piece, so it’s gratifying to see the emotional impact it has.

Inspirational verse:

“I don’t remember losing track of you,
You were always dancing in and out of view,
I must have thought you’d always be around.”

Moving on to the next item on the agenda, I’m sharing this from Franziska San Pedro’s blog, entitled “How The Internet Can Change Your Life.” Interesting reading.

And finally, I’ve posted a couple new t-shirt designs to my RedBubble store just in time for Valentine’s Day:

Carry on, then.
Bret Taylor
Day 762/1000.


Well, today was an auspicious occasion – my 500th consecutive day of drawing and/or painting. I worked on ten paintings today to mark the event.

Here’s the scene early in the day, before the paint started to fly:

A bit more glazing, more Liquid Mirror and more black lava gel, and the metalflake paintings started to look more like this:

(Still a ways to go yet, of course. And I also laid the base coats for three more of these babies. They still look kinda boring at this point, though.)

Then I got to work on the hot pink metalflake triptych you might’ve seen recently – my tribute to bubblegum rock. Here’s a rough idea of what it’ll look like:

After that, I started the process of adding that linework to the actual painting. The middle panel of the three has just been applied:

Hoping to finish this one in the next couple days. By now the masking/painting process for these is fairly simple and uneventful.

And that was my 500th day. What’d you do today?


Follow