liquid mirror

And then it was April.

Here we are, a quarter of the year already done. The first big show of 2013 is over (and a damn successful one it was), and two more are in the works. Longterm strategies are being developed, and new venues and opportunities being explored.

Creatively I feel incredibly positive. The ideas just won’t stop coming, I’m happier with my drawing skills than ever before, and I keep thinking of new variations on my metalflake technique. This in particular is pleasing, given that I’ve finished 102 of these paintings and currently have another 17 in the works (obviously I don’t ever want this to turn into some sort of assembly-line process; frankly I think that having assistants do the bulk of your work for you borders on the fraudulent).

With the Hot Pink show and the Christmas Metalflake series, I played around with the technique, sometimes out of necessity, and other times just out of curiosity. I did several paintings with pulverized Christmas balls worked into the strata for texture and reflectivity. And the other day it occurred to me that I could also use gold leaf in my backgrounds.

This experiment turned out even better than I’d anticipated. And it got me thinking about some other new possibilities.

A few specifics, then, before the conversation takes a turn for the personal. The Ocean Rain show, which you’ve already seen hints of, is progressing nicely. Expect an announcement regarding this very soon – we’re hoping for an early May launch date.

The show after that will most likely use superheroes and science fiction as its launching point.

After that I’d like to do something with an automotive theme, and of course we’ll be doing something Christmassy as well, in the fall (truth be told, we’ve probably got ideas for a dozen shows). Also in the fall, we’ll be releasing a book and/or calendar of T-Rex illustrations. Three of them are done already, and the Agent and I have been brainstorming on lots more.

And by this time next year I want to have my work in galleries.

So, enough business. Let’s talk about what else has been going on. Last year, as documented again and again (and AGAIN ), felt like some sort of trial to me. One trauma after another, month in, month out. By November I was a bit of a mess.

I can’t pinpoint any one specific moment when the game changed (unlike, say, in 2011), but a lot of minor victories added up to help pull me out of my funk.

And this process continued through January and February, to the point where I finally feel like I’ve gotten my groove back (I won’t lie; I was extremely worried about that, and for a long, long time). Friends and family have done their part to help, chance encounters have led to new opportunities… and inspiration? Inspiration is EVERYWHERE . I’m on fire creatively.

I’m back , baby.

Bret Taylor
Vancouver, BC
April, 2013.


Hot Pink Recap

Let me tell you the story of one amazing day. A lifetime ago (or a very short while, depending on your perspective), I had my very first solo art show.

I was half-assing my way through organizing the show till Tess McCann stepped in to offer her assistance. I would mark that as the most significant turning point in my art career to date (and of course, Tess is now my agent).

From there it’s been… I dunno, would it sound pretentious if I said it “a journey of self-discovery” ?

Anyway.

We’ve spent the last year and a half experimenting and learning about art shows and art marketing, and we’ve met some incredible people along the way. And all the things we’ve learned got applied to the latest extravaganza, Hot Pink .

Now, Hot Pink has its roots in two sources: a suggestion from Alex Stewart last summer that we do a pin-up girl show together, and a request from Tess the summer before for a hot pink painting of a dancer.

Everything just gelled from there. Putting this show together was almost effortless, apart from the labour in actually creating the art itself. Many people stepped in to help promote the show, offer suggestions and their encouragement, and lend a hand in many ways.

But wait . I’m getting ahead of myself here.

Let’s backtrack. Friday night, Feb. 22. Team Hot Pink gathered at imagemaker photographic studio to hang the show. I wore my toolbelt, because I’m told it makes me more popular with the ladies:

Alex brought along some stunning pieces. I’d been following their progress for months via social media, but it was my first time seeing most of them in the flesh.

(I brought along a few pieces of my own, of course.)

And in no time at all the entire show was hung, the pizza eaten, and beers drank. Waking up to sunshine the next morning was a nice omen.

And just like that, the Big Day was upon us:

You may have noticed the beautiful Hot Pink button in that last pic. It comes courtesy of Annie Friesen, the proprietor of Dottie’s Buttons . In addition to that button, Annie is now selling others that feature my artwork and Alex’s. We’re pretty pleased to have her on the team.

In addition we had a major contribution from Candice Roach’s Love Your Cake business. Another great local company run by a good friend. And her cakes are mindblowing to see (or to eat, for that matter).

My latest paintings were a hit. Several of them were sold before the show even happened. Here are the ones I’m particularly proud of:

Aside: Agent McCann and I also donated a painting to a fundraiser by our friends at the HiVE called An Evening of Debauchery . Full of inappropriate dirty jokes, politically-incorrect comedians, burlesque performers and an artist with a… unique approach to painting, the event was held to raise money for a non-profit business incubator. In the end the painting went to Nelu Oncel, who was patient enough to let us keep the painting for a few more days so it could still be in Hot Pink.

Alex and I also collaborated on two pieces, which is probably the creative highlight of my year so far. I started one piece that he finished, and vice versa. An incredible experience, and one I learned a lot from. Hopefully there’ll be more joint efforts from us in the future.

And from there, things just… rolled . Many excellent friends showed up, both old and new. These pics should give you an idea of how it went:

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At midnight we wrapped things up, exhausted. Took the party to several other locales, and in the AM we were back to tear everything down. By that afternoon you’d never know there’d even been a show.

So thanks to John Carter, Sarah Merris, Kimli Welsh, Steve Kinsey, Jeremy Ball, Amanda West, Jamie Presley and Meghan Low, Vicky Hames, Meghan Kilner, George Smeltzer and Lori Kittelberg, John Bell, John Watson, Alex Stewart, Jon Crewe, Jaime Lee Purgavie, Aimee Vuilleumier, Lyndsey McEwen, August Wiled, Chantal Michaud, everyone who wore pink to support the cause, and the incomparable Tess McCann, who once again deserves a huge round of applause for everything she’s done for me.

Photos courtesy of John Watson, Tess McCann, Alex Stewart, Heather Prost, Cathy Browne, Christy McNeil, Scott Graham, and Bret Taylor.


Available.

First off, you may have noticed the lack of a report on the Hot Pink show. Fear not; it’s happening. It’s just been.. delayed a little while I recover. Further to that, though, this particular handful of paintings is still available for purchase:

Should something here catch your eye, please contact my agent, the lovely and talented Tess McCann , and she can arrange things for you.

Thanks,
Bret Taylor
Vancouver, BC
March 2013


Hot Pink – the Latest.

Pretty caught up in art-show excitement these days. So much so that I almost forgot about the blog.

But many amazing things are happening. Paintings are already selling, buttons have arrived, a new shirt is almost ready, sketches are being posed for, greeting cards are available, and the Hot Pink Peeler Mix playlist is nearly finished. All sorts of craziness, and definitely of the good variety.

This art-show business does actually get easier. For a long time I didn’t think that would ever happen.

Mind you, I’ve got a team behind me now, and their support and enthusiasm are pretty infectious (and it’s not just my show this time around). In fact, we’re meeting on the weekend to talk over some hush-hush, ultra-top-secret business. Just wait till you see the results. Oh, man…

Anyway, people are stepping up to bat and generally being excellent human beings. I could rave about that for hours, or about how beautiful women are keeping me informed as to what shoes and underwear (pink and/or black, obviously) they’ve bought for the show. But instead I’ll just treat you to another slideshow:

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Nine days to the big show. Anybody else as pumped for this as I am?


Welcome back, and thanks for joining us. It’s been a few days since the Dinosaur Show – time spent recovering and regrouping, for the most part. It seems that the bigger these events get, the more time it takes to bounce back.

And this was definitely a BIG event.

Earth-shaking, even.

The excitement all started Friday night, with a trip to imagemaker photographic studio to hang the show. This is part of the process that I always stress needlessly about, as it usually goes off without much of a hitch. In this particular case, the positioning and hanging of the paintings was a breeze; it was just the peripherals (a display for posters and calendars, for instance) that raised questions.

That night I slept well, which has never happened the night before a show till now. Come to think of it, I slept pretty well for most of the preceeding two weeks.

In the morning I was up early, running last-minute errands in the rain. We were at the studio doing last-minute setup by 1:00PM…

… and then it was showtime. My friend Cindy, who moved here recently from Ontario, snapped up the medium-sized T-Rex almost immediately after we opened the doors. Technically that was the second sale of the show, though, because John from HogShack had already spoken for one of the struttin’ T-Rex paintings.

Over the next six hours lots of people came in, often with young dinosaur fans in tow. Talked to old friends, met some people I’d previously only talked to online, sold a few paintings, and all in all had a great afternoon.

And then it was 8:00. The afterparty started.

The Agent was outfitted in a custom T-Rex top, and we also had hot pink T-Rex buttons made:

The people who got into the dinosaur theme the most, though, were Candice Roach and Danny Parker. Candice made a cake especially for the show, and Dan brought not only a T-Rex hat, but a full-on dinosaur COSTUME :

I kept thinking we’d hit the point where people were more focused on the party than the art, but then, miraculously, a few more paintings would sell. The final tally: 14 paintings sold out of a possible 17.

Did I mention there were drinks? Cake? Sandwiches and pumpkin pie cheesecake that my friend Melissa Jones so thoughtfully contributed? That people came from all over the place just for the show?

I’ve gotta say, the show of support never gets old.

Things wrapped up pretty quickly around 1:00AM. The day was done, the show a success.

Thanks, first of all, to the people who bought my paintings, posters and prints: John Lim Hing, Cindy McShane, Nic & Todd Cruickshank, Lori Kittelberg and George Smeltzer, Lindsay Bayne, Christine Warner, Geoff Gauthier, Irving Lau, Mark Crater, Candice Roach, Krista Lee, Amanda West, Donna Jay-Crowe, and all the people who bought buttons.

These lovely people couldn’t make the show (which will always happen) but were still kind enough to send along apologies and/or encouragement anyway: Chantal Michaud, Kate MacDonald, Lynn McIlwee, Jackie McCaughan, Adam & Corinna Carlson, Lyndsey MacEwen, Jewel Staite, Crystal Witty, Ceci Graber, Erin Kyle, and Jeff Hornby.

And of course, how could I forget my agent, Tess McCann? We’ve been through a lot together in the 14 months since we met, and this show actually started with her posting T-Rex cartoons on her Facebook wall in the early part of 2012. Thanks for everything, Tess. At the risk of repeating myself, this wouldn’t even be possible without your help.

(Photos courtesy of Danny Parker, Ned Tobin, Amanda West, Lindsay Bayne, Krista Lee, John Lim Hing, and John Watson.)


Today the UPS guy dropped off an amazing present:

You’ve heard me rave about the Liquid Mirror before, so I won’t give you that spiel again (let’s just say that a bottle this big is a pretty extravagant gift). But the Sludge is one of the smarter products I’ve heard of – basically it’s comprised of the leftover gunk from the normal paint-making process. Leftover gunk (both solid and liquid waste) that would otherwise have to be disposed of somehow. You can read more about it here , but it’s a pretty impressive and ecologically-friendly product.

Thanks, Rheni. I’ll try to use it wisely.


I’ve probably mentioned this before, but my good friends in Mojave (check out their music; it’s pretty great) are putting on an art-and-music show at the Tipper in a couple weeks, and yours truly will have three pieces in it.

Here’s a quick teaser:

Just a small detail from one of the paintings; they’re all tied together thematically. So far the best part of this has been giving Tri-Art’s new Liquid Mirror paint a test-drive. The stuff’s amazing.

I’ll keep you posted on how well the show goes.


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