high heels

Superchicks – Still Available.

Full report on the show still to come, but here’s what’s still up for grabs. First, the metalflake paintings:

And then the sketches (all 8×10 inches, $50 apiece):

If there’s something you’ve got your eye on, let me know ASAP (prices do not include shipping). And if you’re interested in commissioning something you don’t see here, also let me know.

Thank you and goodnight.


The Summer 2014 Studio Sale

If you’ve been following my art career, you know I’m a bit on the prolific side – I love to paint, and I have a lot to say. So it may not come as a total surprise that I’ve got a fair number of paintings on hand at the moment. I’d go so far as to call it a backlog, even.

And I work out of a small studio, so space is at a premium (can you see where this is going?).

I sat looking at all these pieces today, and decided I need to move some of them. Which is where you come in – I’m marking these down so I can free up some space, and you can score some art bargains.

Without further ado, then, here’s what’s for sale:

If you have your eye on a piece, drop me a line at howyadoin@gmail.com and refer to the sale in the email title.

The fine print:

Prices are in effect till Friday, August 1, 2014. Prices do not include shipping.

Dark Valentine Recap

01 Calendar

So my first show of 2014 is finished. Dark Valentine was another stellar experience for me, of course – these events mean more to me than I could ever really explain. People from different parts of my life (some who I had never even met before), all brought together by my art? After eight shows, that still floors me at times.

There was a great turnout again at Score on Davie – including several first-timers, which is always nice. It’s great to see the Gospel of Metalflake spreading far and wide.

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Keith from Score came up with another delicious, powerful cocktail for the show, and this one even topped the Howyadoin Whiskey Sour from last time. Here’s my first Broken Heart of the night:

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Irish whiskey (thanks to the amazing Simone Kelly, Jameson Ambassador par excellence), ginger liqueur, lemon juice, and a hint of maple syrup. Seriously, you gotta try one of these sometime.

Or maybe two, even.

Should I actually talk about the art? Yeah, I guess I should. Here’s the centerpiece of the show, a painting called “Once Upon a Wine”. It features three of the four main characters: Sleeping Beauty, Snow White, and Cinderella:

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(In researching the fairytale characters for the show, I came across all sorts of interesting trivia, and some pretty dark versions of their stories. The sheer amount of murder in the original stories is kind of astounding. So I came up with an overall narrative for the show, tying several of these tales together and bringing the evil Queen of Hearts (she’s kind of a serial evil stepmother) into the mix as a sort of catalyst. Along the way the characters began to establish their own identities in my head, shaping the final paintings in ways I hadn’t anticipated.)

Here are a few of the paintings on the wall:

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And here’s the evil Queen in all her reflected glory, in a piece titled “Who’s the Fairest?”:

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The other key painting in the show is this one, “Awakening”:

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The significance of this one changed several times during my creative process, as the story seemed to rewrite itself. So, hearing people’s reactions and interpretations has been fascinating. And those interpretations add their own layers of meaning, as well. Art should, after all, be an ongoing dialogue.

And finally, the night drew to a close:

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I was feeling a bit rough the next day, but Simone treated me to lunch after I took the paintings down, and after that pulled pork mac & cheese hotdog, I recovered completely. As Valentine’s Days go, that was a pretty good one. Especially once this magic elixir entered the picture:

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The End.

P.S. In the credit-where-credit-is-due department, I would like to thank these fine people for all they do:

Jewel Staite, for suggesting the concept to me in the first place, back in December (and for buying the Queen of Hearts). It makes me very happy knowing this painting is now hers.

Simone Kelly, for lunch, whiskey, and being an all-around epic human being.

Keith Corbett from Score, for pulling all of this together, providing the venue, and for excellent, excellent cocktails.

Bon Bahar, Amanda West, Cathy Browne, Meghan Kilner, Krista Falconer, Donna Jaggard, Dan Udey, Corrina Carlson, Adam Carlson, Steve Graham, Steve Kinsey, Chrissy Watson, John Watson, George Smeltzer, Nikkie Milne, Melissa Jones, Kyle Reid, Mike Watson, Aaron MacDonald, Scott McLeod, Lyndsey MacEwen, Stephanie Hogan, Jordana Manchester, Holly D’herty, Ian MacKinnon, Lindsay Bayne, Patrick Masse, Theresa Barteluk, Johnny Warkentin, Geoff Gautier, Cynthia Griffiths, Matt Bosch, Jay Holtslander, Katherine Houston.

Annie Friesen, for the buttons and the creative support.

Derek Bolen, for instigating.

Shannon Nilson, for naming “Once Upon a Wine”.

And Jamie Lee Purgavie, for always believing.

(Photos courtesy of imagemaker photographic studio, Bon Bahar, Jordana Manchester, and Simone Kelly.)


7 Art Shows and What I’ve Learned.

Metal Flake

My first solo show. I went into it practically blind, and it wasn’t till a week before it opened that I had someone to help me out with the planning. Fortunately it all came together nicely anyway, though.

What I learned:

• that it feels amazing to bring strangers together.
• that brown is a tricky colour to glaze with.
• that not everything will sell.
• that good lighting is crucial.
• that the private afterparty is the best part of a show.

Metalflake Remix

Eight months later, I tried it again. I put on a live-art show, but also had a variety of new and old metalflake pieces on hand, plus a pretty random assortment of non-metalflake pieces.

What I learned:

• that it’s impossible to go slow when you’re painting in front of a crowd.
• that if there are metalflake and non-metalflake pieces in a show, nobody will look at the non-metalflake ones.
• that consistency of style and theme are crucial.

Dinosaurs

Armed with a new agent and a new series of paintings, this was my first show with some actual strategy behind it. We had an all-ages afternoon portion, and then an adults-only afterparty. We also had a dinosaur cake, buttons, and even costumes (some people really get into a good theme).

What I learned:

• that everybody loves dinosaurs.
• that eight hours is a long damn time to be standing and schmoozing.
• that a lot can change in a year.
• that cheap masking tape from the dollar store is the only way to go.

Hot Pink

This show was a joint effort between Alex Stewart and I, based on a pin-up girl theme. Everybody involved (and it was a sizable crew) really brought their A-game. The show was a smash, and a real event.

What I learned:

• that everybody loves pin-up girls.
• that sanding the edges of a painting before glazing adds so much.
• that audience participation is the best form of publicity, and people love to dress up.
• that collaborating with another artist is an amazing experience.
• that spraypaint is your friend.
• that baseboard heaters are pretty useful for drying paintings.
• that under the right circumstances you can get away with almost anything.
• that I don’t have pre-show jitters anymore.

Ocean Rain

A much longer show (it ran for 3 months), a brand new venue, and overall a serious change of pace. The opening had a relatively small turnout, but that was okay. Nearly all of the paintings were sold before they were even hung at the venue – some before they were even finished.

What I learned:

• that everybody loves undersea creatures.
• that putting together contracts is exhausting but educational.
• that people can and will let you down, but other people will raise you back up.
• that blues and greens are inherently more intense colours.
• that octopi are incredibly hard to draw.
• that I shouldn’t schedule an art show opening for Mother’s Day.
• that X-Acto blades are sharp.
• that leaving the biggest, most crucial painting in a show till last isn’t such a bright idea.
• that borders aren’t necessary.

Ka-Pow!

Another new venue, and many new people were in attendance. Superheroes seemed like a natural fit for my art style and process, and sure enough, this was easily my most successful show to date (particularly if you factor in all the spin-off commissions I got from it). Also, the food was astounding, and once again I was treated like a star. This show opened all sorts of doors for me, too.

What I learned:

• that everybody loves superheroes.
• that putting on a show by myself isn’t actually that hard.
• that going hog wild with colour is a liberating experience.
• that light refraction is what makes the colours really pop.
• that mica flake gel is a gamechanger.
• that lipstick on your forehead is a great conversational gambit.
• that people really do care about Green Arrow.

Cocktails

My fourth and final venue for 2013, and one well-suited to the topic at hand. Everything about the experience was positive, from the formal-dress aspect, to the involvement of one of my favourite whiskeys as a sponsor. And while there were no pre-sales, I did sell half the paintings in a matter of five hours that night.

What I learned:

• that everybody loves cocktails.
• that every girl crazy for a sharp-dressed man.
• that art shows should always have signature cocktails.
• that black lava gel is a must, not just an option.
• that when the baseboard heaters just aren’t enough, the top of the toaster oven can also be pressed into service to make paintings dry faster.
• that a splash of iridescent colour under the top layer of clear is like a revolution for the eyes.
• that a venue so close to home is a godsend at the end of the show (particularly when you’re in a hurry to celebrate for another five hours).
• that pulled pork mac and cheese defies description.
• that not even Pearl Jam can keep the people who really want to be at the show from attending.


And then it was April.

Here we are, a quarter of the year already done. The first big show of 2013 is over (and a damn successful one it was), and two more are in the works. Longterm strategies are being developed, and new venues and opportunities being explored.

Creatively I feel incredibly positive. The ideas just won’t stop coming, I’m happier with my drawing skills than ever before, and I keep thinking of new variations on my metalflake technique. This in particular is pleasing, given that I’ve finished 102 of these paintings and currently have another 17 in the works (obviously I don’t ever want this to turn into some sort of assembly-line process; frankly I think that having assistants do the bulk of your work for you borders on the fraudulent).

With the Hot Pink show and the Christmas Metalflake series, I played around with the technique, sometimes out of necessity, and other times just out of curiosity. I did several paintings with pulverized Christmas balls worked into the strata for texture and reflectivity. And the other day it occurred to me that I could also use gold leaf in my backgrounds.

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This experiment turned out even better than I’d anticipated. And it got me thinking about some other new possibilities.

A few specifics, then, before the conversation takes a turn for the personal. The Ocean Rain show, which you’ve already seen hints of, is progressing nicely. Expect an announcement regarding this very soon – we’re hoping for an early May launch date.

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The show after that will most likely use superheroes and science fiction as its launching point.

After that I’d like to do something with an automotive theme, and of course we’ll be doing something Christmassy as well, in the fall (truth be told, we’ve probably got ideas for a dozen shows). Also in the fall, we’ll be releasing a book and/or calendar of T-Rex illustrations. Three of them are done already, and the Agent and I have been brainstorming on lots more.

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And by this time next year I want to have my work in galleries.

So, enough business. Let’s talk about what else has been going on. Last year, as documented again and again (and AGAIN), felt like some sort of trial to me. One trauma after another, month in, month out. By November I was a bit of a mess.

I can’t pinpoint any one specific moment when the game changed (unlike, say, in 2011), but a lot of minor victories added up to help pull me out of my funk.

And this process continued through January and February, to the point where I finally feel like I’ve gotten my groove back (I won’t lie; I was extremely worried about that, and for a long, long time). Friends and family have done their part to help, chance encounters have led to new opportunities… and inspiration? Inspiration is EVERYWHERE. I’m on fire creatively.

I’m back, baby.

Bret Taylor
Vancouver, BC
April, 2013.


Hot Pink Recap

Let me tell you the story of one amazing day. A lifetime ago (or a very short while, depending on your perspective), I had my very first solo art show.

I was half-assing my way through organizing the show till Tess McCann stepped in to offer her assistance. I would mark that as the most significant turning point in my art career to date (and of course, Tess is now my agent).

From there it’s been… I dunno, would it sound pretentious if I said it “a journey of self-discovery”?

Anyway.

We’ve spent the last year and a half experimenting and learning about art shows and art marketing, and we’ve met some incredible people along the way. And all the things we’ve learned got applied to the latest extravaganza, Hot Pink.

Now, Hot Pink has its roots in two sources: a suggestion from Alex Stewart last summer that we do a pin-up girl show together, and a request from Tess the summer before for a hot pink painting of a dancer.

Everything just gelled from there. Putting this show together was almost effortless, apart from the labour in actually creating the art itself. Many people stepped in to help promote the show, offer suggestions and their encouragement, and lend a hand in many ways.

But wait. I’m getting ahead of myself here.

Let’s backtrack. Friday night, Feb. 22. Team Hot Pink gathered at imagemaker photographic studio to hang the show. I wore my toolbelt, because I’m told it makes me more popular with the ladies:

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Alex brought along some stunning pieces. I’d been following their progress for months via social media, but it was my first time seeing most of them in the flesh.

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(I brought along a few pieces of my own, of course.)

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And in no time at all the entire show was hung, the pizza eaten, and beers drank. Waking up to sunshine the next morning was a nice omen.

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And just like that, the Big Day was upon us:

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You may have noticed the beautiful Hot Pink button in that last pic. It comes courtesy of Annie Friesen, the proprietor of Dottie’s Buttons. In addition to that button, Annie is now selling others that feature my artwork and Alex’s. We’re pretty pleased to have her on the team.

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In addition we had a major contribution from Candice Roach’s Love Your Cake business. Another great local company run by a good friend. And her cakes are mindblowing to see (or to eat, for that matter).

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My latest paintings were a hit. Several of them were sold before the show even happened. Here are the ones I’m particularly proud of:

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Aside: Agent McCann and I also donated a painting to a fundraiser by our friends at the HiVE called An Evening of Debauchery. Full of inappropriate dirty jokes, politically-incorrect comedians, burlesque performers and an artist with a… unique approach to painting, the event was held to raise money for a non-profit business incubator. In the end the painting went to Nelu Oncel, who was patient enough to let us keep the painting for a few more days so it could still be in Hot Pink.

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Alex and I also collaborated on two pieces, which is probably the creative highlight of my year so far. I started one piece that he finished, and vice versa. An incredible experience, and one I learned a lot from. Hopefully there’ll be more joint efforts from us in the future.

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And from there, things just… rolled. Many excellent friends showed up, both old and new. These pics should give you an idea of how it went:

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At midnight we wrapped things up, exhausted. Took the party to several other locales, and in the AM we were back to tear everything down. By that afternoon you’d never know there’d even been a show.

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So thanks to John Carter, Sarah Merris, Kimli Welsh, Steve Kinsey, Jeremy Ball, Amanda West, Jamie Presley and Meghan Low, Vicky Hames, Meghan Kilner, George Smeltzer and Lori Kittelberg, John Bell, John Watson, Alex Stewart, Jon Crewe, Jaime Lee Purgavie, Aimee Vuilleumier, Lyndsey McEwen, August Wiled, Chantal Michaud, everyone who wore pink to support the cause, and the incomparable Tess McCann, who once again deserves a huge round of applause for everything she’s done for me.

Photos courtesy of John Watson, Tess McCann, Alex Stewart, Heather Prost, Cathy Browne, Christy McNeil, Scott Graham, and Bret Taylor.


Available.

First off, you may have noticed the lack of a report on the Hot Pink show. Fear not; it’s happening. It’s just been.. delayed a little while I recover. Further to that, though, this particular handful of paintings is still available for purchase:

Should something here catch your eye, please contact my agent, the lovely and talented Tess McCann, and she can arrange things for you.

Thanks,
Bret Taylor
Vancouver, BC
March 2013


Hot Pink – the Latest.

Pretty caught up in art-show excitement these days. So much so that I almost forgot about the blog.

But many amazing things are happening. Paintings are already selling, buttons have arrived, a new shirt is almost ready, sketches are being posed for, greeting cards are available, and the Hot Pink Peeler Mix playlist is nearly finished. All sorts of craziness, and definitely of the good variety.

This art-show business does actually get easier. For a long time I didn’t think that would ever happen.

Mind you, I’ve got a team behind me now, and their support and enthusiasm are pretty infectious (and it’s not just my show this time around). In fact, we’re meeting on the weekend to talk over some hush-hush, ultra-top-secret business. Just wait till you see the results. Oh, man…

Anyway, people are stepping up to bat and generally being excellent human beings. I could rave about that for hours, or about how beautiful women are keeping me informed as to what shoes and underwear (pink and/or black, obviously) they’ve bought for the show. But instead I’ll just treat you to another slideshow:

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Nine days to the big show. Anybody else as pumped for this as I am?


Hot Pink Teasers

A few teasers for next month’s art show:

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More info here.


T-Shirt Thursday, Round 25

Continuing with last week’s pin-up girl theme:

 

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This and the shirts from round 24, of course, tie in with my upcoming Hot Pink art show.

And you can find this one here in my RedBubble store.