glory

The Official Ocean Rain Recap

On Sunday, May 12th, I had the distinct pleasure of holding my sixth art show. This one broke new ground in terms of venue (the HiVE ), timing and structure. And if audience reactions are any indication, in terms of the art itself.

I mixed things up some this time around – metalflake paintings without the border treatment I usually employ, less square-format pieces than usual, size and shapes I don’t usually work in. Plus a more multi-layered approach to glazing and iridescents.

And the subject really seemed to strike a chord with people.

A few visual highlights:

Buttons courtesy of Annie Friesen and Dottie’s Buttons .

Some of the fine people who showed up.

The long-distance traveler award goes to Jaime, who came over from Vancouver Island for the show.

Team Sizzr represents.

Mesmerized.

Oops. Not Aaron.

In which I demonstrate a narwhal/unicorn swordfight.

All the support in the world.

Very serious discussion.
So I’m calling this another one for the victory column. I had an amazing day. Every time we put on another show, there’s less stress to deal with, and the process gets more streamlined.

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A very special thank-you to:

Tess McCann , who put the pieces together.

John Watson , who documented the process.

Lyndsey MacEwen , who stepped up to bat.

Jaime Lee Purgavie , who believed.

Annie Friesen , who buttoned it all up.

Mike Watson , who drove the getaway car.

Lindsay Bayne , who wisely said “narwhal!”

Cindy McShane, Karina Halle, Kate MacDonald , and Lyndsey Locke , who bought the paintings.

Aaron Cruikshank, Eve Rickert, Margarete Hernandez , and Alan Cheung from the HiVE, who gave me the opportunity.

Heather Prost, Jess Couture, Meghan Kilner, Kyle Reid, Jenn Derksen, Steve Kinsey, Scott Graham, Ian McKinnon, Katie Moran, Jacquie Clarke, Cheryl Cheeks, Kitty Nichols , and Mike C. , who kept the faith.

Tom Odell and Lucy Schwartz , who provided the musical portion of the (very) exclusive afterparty.

Paul Keelan , who supplied my ticket.

Christy McNeil, Julia Gaetz , and Amanda West , who all made valiant efforts.

Jack Daniel , for service above and beyond the call of duty.

(Photos courtesy of John Watson and Imagemaker Photographic Studio .)


Hot Pink Recap

Let me tell you the story of one amazing day. A lifetime ago (or a very short while, depending on your perspective), I had my very first solo art show.

I was half-assing my way through organizing the show till Tess McCann stepped in to offer her assistance. I would mark that as the most significant turning point in my art career to date (and of course, Tess is now my agent).

From there it’s been… I dunno, would it sound pretentious if I said it “a journey of self-discovery” ?

Anyway.

We’ve spent the last year and a half experimenting and learning about art shows and art marketing, and we’ve met some incredible people along the way. And all the things we’ve learned got applied to the latest extravaganza, Hot Pink .

Now, Hot Pink has its roots in two sources: a suggestion from Alex Stewart last summer that we do a pin-up girl show together, and a request from Tess the summer before for a hot pink painting of a dancer.

Everything just gelled from there. Putting this show together was almost effortless, apart from the labour in actually creating the art itself. Many people stepped in to help promote the show, offer suggestions and their encouragement, and lend a hand in many ways.

But wait . I’m getting ahead of myself here.

Let’s backtrack. Friday night, Feb. 22. Team Hot Pink gathered at imagemaker photographic studio to hang the show. I wore my toolbelt, because I’m told it makes me more popular with the ladies:

Alex brought along some stunning pieces. I’d been following their progress for months via social media, but it was my first time seeing most of them in the flesh.

(I brought along a few pieces of my own, of course.)

And in no time at all the entire show was hung, the pizza eaten, and beers drank. Waking up to sunshine the next morning was a nice omen.

And just like that, the Big Day was upon us:

You may have noticed the beautiful Hot Pink button in that last pic. It comes courtesy of Annie Friesen, the proprietor of Dottie’s Buttons . In addition to that button, Annie is now selling others that feature my artwork and Alex’s. We’re pretty pleased to have her on the team.

In addition we had a major contribution from Candice Roach’s Love Your Cake business. Another great local company run by a good friend. And her cakes are mindblowing to see (or to eat, for that matter).

My latest paintings were a hit. Several of them were sold before the show even happened. Here are the ones I’m particularly proud of:

Aside: Agent McCann and I also donated a painting to a fundraiser by our friends at the HiVE called An Evening of Debauchery . Full of inappropriate dirty jokes, politically-incorrect comedians, burlesque performers and an artist with a… unique approach to painting, the event was held to raise money for a non-profit business incubator. In the end the painting went to Nelu Oncel, who was patient enough to let us keep the painting for a few more days so it could still be in Hot Pink.

Alex and I also collaborated on two pieces, which is probably the creative highlight of my year so far. I started one piece that he finished, and vice versa. An incredible experience, and one I learned a lot from. Hopefully there’ll be more joint efforts from us in the future.

And from there, things just… rolled . Many excellent friends showed up, both old and new. These pics should give you an idea of how it went:

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At midnight we wrapped things up, exhausted. Took the party to several other locales, and in the AM we were back to tear everything down. By that afternoon you’d never know there’d even been a show.

So thanks to John Carter, Sarah Merris, Kimli Welsh, Steve Kinsey, Jeremy Ball, Amanda West, Jamie Presley and Meghan Low, Vicky Hames, Meghan Kilner, George Smeltzer and Lori Kittelberg, John Bell, John Watson, Alex Stewart, Jon Crewe, Jaime Lee Purgavie, Aimee Vuilleumier, Lyndsey McEwen, August Wiled, Chantal Michaud, everyone who wore pink to support the cause, and the incomparable Tess McCann, who once again deserves a huge round of applause for everything she’s done for me.

Photos courtesy of John Watson, Tess McCann, Alex Stewart, Heather Prost, Cathy Browne, Christy McNeil, Scott Graham, and Bret Taylor.


Unless you’re a newcomer to this site, you probably know that I recently completed a thousand consecutive days of art. Every one of those days, from January 1/2010 – October 1/2012, I drew and/or painted, without fail.

One thousand days.

As time went on, the numbers actually began to mean less and less to me. Because it was really about the journey, of course. About what I learned, where I went, how I changed.

The past few years have been challenging, to say the least. Apart from the financial hardships of the recession and its aftermath, one thing I’ve been struggling with is the lack of structure in my life (I’m a freelancer, by the way). So the added benefits to this extended art experiment are just that – structure, purpose, direction.

For a long time people were asking me what I planned to do on the final day. I considered several options, because I wanted to do something momentous. But in the end these options fell through, so I decided that the best course of action would be…

… Business as Usual.

After all, I had a show to prepare for. Paintings to finish, logistics to be sorted out, all sorts of promotional work to do. Putting on an art show is no small task.

So when I got up that morning, I did a quick little sketch, just in case:

That way if the sun exploded or we got invaded by zombies, at least I could still say I reached the 1000th day.

(Fortunately they didn’t. But hey, you never know.)

After that it was back to the metalflake dinosaur paintings. Since my T-Rex sketch from back in February was the central image in my upcoming show, I decided that finishing one of those pieces would be my best bet. And that just seemed fitting – it tied in with the show, with my calendar, and any number of other peripheral art ventures. Plus it was inspired in the first place by the person who’s made the biggest mark in my life during the Project – my Agent and former Muse.

So there you have it. One thousand days. I painted and drew a lot, I learned a lot, I sweated and bled, and I’m still standing.

Oh, and one more thing: I’m already working an art book based on the experience. Watch this space for further details.


Well, tonight was a heady experience. I got to watch the hallowed Montréal Canadiens shut down the reigning NHL Stanley Cup champions, the Pittsburgh Penguins. A really fast-paced game; reminded me of the glory years of my childhood as a young Habs fan.

Which of course got me thinking about how much the Canadiens are part of our national culture, transcending every kind of barrier. If hockey is, as we call it, The Game (and believe me, brothers and sisters, it is), then Montréal is The Team.

And what better example of that passion, that belief, than the famous Habs sweater. (That’s right, I said “sweater”. Not “jersey”.) In 2008 I painted this during the playoffs in tribute to the team I’ve always believed in:

And now here we are again. Soon the Habs will be facing Philadelphia or (please, please, please) the hated Bruins in the next round of the battle for Lord Stanley’s Cup. And they’ll be ready.

So as a symbol of my faith, I’m offering this painting to the Canadiens if they can bring the Cup back home this year. We believe in you, boys. Let’s go all the way in 2010.

P.S. And if you’re reading this, please spread the word far and wide.


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