I’ve mentioned this before, but I picked up a nice little sketchbook from Zequenz back in the spring, and I take it with me whenever possible. I like documenting simple, cool little things when I’m visiting friends, or in a restaurant, etc. It’s become a visual diary to mark little events (and big ones too, I guess). Very nice smooth-finish paper in it, and the book will fold flat when you open it, which is nice for both drawing and scanning.
It also keeps me drawing on a regular basis, which is crucial. I’ve found over the past couple months that it’s really helped crystallize my drawing style. This actually caught me by surprise, because I’ve never really tried to find a specific style.
And yet, it seems to be happening, and it feels damn good.
Not long ago we were barbecuing at a friend’s place, and I saw a wooden giraffe that I just had to draw:
I definitely want to pursue more art along these lines.
And then just last week I was hanging with some other friends, watching Misfits on Netflix and pigging out on Wendy’s. At some point I looked around for something to draw, and saw an Imperial Stormtrooper helmet. These are pretty ornate pieces of design work, so there were some minor challenges to drawing one.
But I like how this turned out, and it was probably only 10-15 minutes’ work:
More to come in the future.
Just a brief end-of-the-year post. I’ve gotten an overwhelming amount of support for my art over this past year: invaluable creative input on many fronts, inspiration, commissions, and print sales. I can’t begin to express how important this has all been to me. I’m starting to have an actual art career , and I couldn’t have done it without that support.
Hell, why don’t I just list some names? In no particular order: Cynthia McShane, Regan Taylor, Chad Horwedel, Berkley McLean, Lori Kittelberg & George Smeltzer, John & Chrissy Watson, Joe Clark, Mike Watson, Brandee Brown Barker, Genina Dovale, Ben Lipman, Rob Cooper, Nicole & Todd Cruickshank, Linda Kat Spencer, Cathryn Smith, Holly Morrison, Brian Cronin, Jason Williams, Eric & Jennifer Davis, Don Lloyd, Gus Lindgren, Tina Power, Neil Ford, Asa Ellerup, Alyson B. Stanfield, Paul Sizer, Lola Augustine Brown, Gary Bolt & Morna Tudor, Sean Parrack, Mike Rooth, Jeff Hotchkiss, Donald Milliken, Jason Light, Chris Nowlin, Ray Rivard, Gene Gillespie, Robert Genn, Amber Mac, Eddy Crosby, Wes Thompson, Jeff Clow, Jessi Sensabaugh, Kevin Bungay, Laura Whaley, Pól Rua, Thom Taylor, Jaye Frisina, Lisa and Rev. Paul from Mojave, Matt Osepchook, Paula McCloskey, Lief Peng, Mordechai Luchins, Daphna Luchins, Mystery Shopper, the gang(s) at CBR, deviantArt, WetCanvas, Whitechapel, Flickr and Motorburg…
… and most of all my extended family, without whom none of this would even be happening.
Thank you all so very, very much.
P.S. If I forgot to mention you, it’s a headcold-induced oversite on my part. No offense intended.
A little something I whipped up for the CD release party for my good friends in Mojave :
Crow’s Funeral , of course, is the name of their new album. It’s based on a phenomena documented here . The band put out a call for art and photography based on the title, and the result is the closest thing I’ve done to sequential art in years.
Anyhow, I thought I’d show a couple of process shots with this one – I had a lot of fun dribbling and spattering paint all over it for weeks. The first image shows the underpainting, and the second has three macro shots taken while the drops of paint were still wet:
And finally, here’s a closeup of the middle panel:
It’s always a pleasure to work on something so loose and organic – all that broken colour is a blast.