dinosaur

Presenting the Second Annual Rent-Party Art Sale Extravaganza

“Things are almost bad enough to have a party.”

~ Judd Nelson, The Billionaire Boys’ Club

I dunno about you, but I am having the strangest damn year. As you may know, I work as both an artist and a graphic designer, and having the two revenue streams is really helpful in these dark and troubled times.

This year, though, everything seems to be… off.

Art is selling much better than usual, and January is particular was much busier than in any previous year. Which is weird, but definitely good – because graphic design work has been non-existent (and that’s coming on the heels of a year as financially and emotionally ruinous as 2016).

My solution to such issues is probably obvious by now: when in doubt, throw an art sale. Then I can clear some much-needed space out, AND help pay the rent.

Speaking of which, I’ve been doing 2-day flash sales over the past week. Responses have been good, so I decided on Friday to cap it all off with a BIG sale. Have a look below at the latest offerings. There might just be something there you want, and of course there’s the added bonus of supporting local art (or if you’re not in Vancouver, think “independent art” instead).

And by all means, tell your friends. Spread the word. Help a brother out.

Also, I’ve finished a number of commissions lately, so if you’re thinking about having a custom piece of your own painted, now is exactly the right time.

Sale ends Sunday night, April 30th.

(Disclaimer: prices do not include shipping.)


7 Art Shows and What I’ve Learned.

Metal Flake

My first solo show. I went into it practically blind, and it wasn’t till a week before it opened that I had someone to help me out with the planning. Fortunately it all came together nicely anyway, though.

What I learned:

• that it feels amazing to bring strangers together.
• that brown is a tricky colour to glaze with.
• that not everything will sell.
• that good lighting is crucial.
• that the private afterparty is the best part of a show.

Metalflake Remix

Eight months later, I tried it again. I put on a live-art show, but also had a variety of new and old metalflake pieces on hand, plus a pretty random assortment of non-metalflake pieces.

What I learned:

• that it’s impossible to go slow when you’re painting in front of a crowd.
• that if there are metalflake and non-metalflake pieces in a show, nobody will look at the non-metalflake ones.
• that consistency of style and theme are crucial.

Dinosaurs

Armed with a new agent and a new series of paintings, this was my first show with some actual strategy behind it. We had an all-ages afternoon portion, and then an adults-only afterparty. We also had a dinosaur cake, buttons, and even costumes (some people really get into a good theme).

What I learned:

• that everybody loves dinosaurs.
• that eight hours is a long damn time to be standing and schmoozing.
• that a lot can change in a year.
• that cheap masking tape from the dollar store is the only way to go.

Hot Pink

This show was a joint effort between Alex Stewart and I, based on a pin-up girl theme. Everybody involved (and it was a sizable crew) really brought their A-game. The show was a smash, and a real event.

What I learned:

• that everybody loves pin-up girls.
• that sanding the edges of a painting before glazing adds so much.
• that audience participation is the best form of publicity, and people love to dress up.
• that collaborating with another artist is an amazing experience.
• that spraypaint is your friend.
• that baseboard heaters are pretty useful for drying paintings.
• that under the right circumstances you can get away with almost anything.
• that I don’t have pre-show jitters anymore.

Ocean Rain

A much longer show (it ran for 3 months), a brand new venue, and overall a serious change of pace. The opening had a relatively small turnout, but that was okay. Nearly all of the paintings were sold before they were even hung at the venue – some before they were even finished.

What I learned:

• that everybody loves undersea creatures.
• that putting together contracts is exhausting but educational.
• that people can and will let you down, but other people will raise you back up.
• that blues and greens are inherently more intense colours.
• that octopi are incredibly hard to draw.
• that I shouldn’t schedule an art show opening for Mother’s Day.
• that X-Acto blades are sharp.
• that leaving the biggest, most crucial painting in a show till last isn’t such a bright idea.
• that borders aren’t necessary.

Ka-Pow!

Another new venue, and many new people were in attendance. Superheroes seemed like a natural fit for my art style and process, and sure enough, this was easily my most successful show to date (particularly if you factor in all the spin-off commissions I got from it). Also, the food was astounding, and once again I was treated like a star. This show opened all sorts of doors for me, too.

What I learned:

• that everybody loves superheroes.
• that putting on a show by myself isn’t actually that hard.
• that going hog wild with colour is a liberating experience.
• that light refraction is what makes the colours really pop.
• that mica flake gel is a gamechanger.
• that lipstick on your forehead is a great conversational gambit.
• that people really do care about Green Arrow.

Cocktails

My fourth and final venue for 2013, and one well-suited to the topic at hand. Everything about the experience was positive, from the formal-dress aspect, to the involvement of one of my favourite whiskeys as a sponsor. And while there were no pre-sales, I did sell half the paintings in a matter of five hours that night.

What I learned:

• that everybody loves cocktails.
• that every girl crazy for a sharp-dressed man.
• that art shows should always have signature cocktails.
• that black lava gel is a must, not just an option.
• that when the baseboard heaters just aren’t enough, the top of the toaster oven can also be pressed into service to make paintings dry faster.
• that a splash of iridescent colour under the top layer of clear is like a revolution for the eyes.
• that a venue so close to home is a godsend at the end of the show (particularly when you’re in a hurry to celebrate for another five hours).
• that pulled pork mac and cheese defies description.
• that not even Pearl Jam can keep the people who really want to be at the show from attending.


T-Shirt Tuesday – T-Rex Edition

A bit of a change of pace after the parade of guitars the past few weeks. Here’s a sequel to my old Struttin’ T-Rex shirt:

Struttin 2.0 Shirt

 

And you can find it in my RedBubble store.

 

Cheers.


And then it was April.

Here we are, a quarter of the year already done. The first big show of 2013 is over (and a damn successful one it was), and two more are in the works. Longterm strategies are being developed, and new venues and opportunities being explored.

Creatively I feel incredibly positive. The ideas just won’t stop coming, I’m happier with my drawing skills than ever before, and I keep thinking of new variations on my metalflake technique. This in particular is pleasing, given that I’ve finished 102 of these paintings and currently have another 17 in the works (obviously I don’t ever want this to turn into some sort of assembly-line process; frankly I think that having assistants do the bulk of your work for you borders on the fraudulent).

With the Hot Pink show and the Christmas Metalflake series, I played around with the technique, sometimes out of necessity, and other times just out of curiosity. I did several paintings with pulverized Christmas balls worked into the strata for texture and reflectivity. And the other day it occurred to me that I could also use gold leaf in my backgrounds.

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This experiment turned out even better than I’d anticipated. And it got me thinking about some other new possibilities.

A few specifics, then, before the conversation takes a turn for the personal. The Ocean Rain show, which you’ve already seen hints of, is progressing nicely. Expect an announcement regarding this very soon – we’re hoping for an early May launch date.

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The show after that will most likely use superheroes and science fiction as its launching point.

After that I’d like to do something with an automotive theme, and of course we’ll be doing something Christmassy as well, in the fall (truth be told, we’ve probably got ideas for a dozen shows). Also in the fall, we’ll be releasing a book and/or calendar of T-Rex illustrations. Three of them are done already, and the Agent and I have been brainstorming on lots more.

TRex_Easter

And by this time next year I want to have my work in galleries.

So, enough business. Let’s talk about what else has been going on. Last year, as documented again and again (and AGAIN), felt like some sort of trial to me. One trauma after another, month in, month out. By November I was a bit of a mess.

I can’t pinpoint any one specific moment when the game changed (unlike, say, in 2011), but a lot of minor victories added up to help pull me out of my funk.

And this process continued through January and February, to the point where I finally feel like I’ve gotten my groove back (I won’t lie; I was extremely worried about that, and for a long, long time). Friends and family have done their part to help, chance encounters have led to new opportunities… and inspiration? Inspiration is EVERYWHERE. I’m on fire creatively.

I’m back, baby.

Bret Taylor
Vancouver, BC
April, 2013.


One Thousand Days

Unless you’re a newcomer to this site, you probably know that I recently completed a thousand consecutive days of art. Every one of those days, from January 1/2010 – October 1/2012, I drew and/or painted, without fail.

One thousand days.

As time went on, the numbers actually began to mean less and less to me. Because it was really about the journey, of course. About what I learned, where I went, how I changed.

The past few years have been challenging, to say the least. Apart from the financial hardships of the recession and its aftermath, one thing I’ve been struggling with is the lack of structure in my life (I’m a freelancer, by the way). So the added benefits to this extended art experiment are just that – structure, purpose, direction.

For a long time people were asking me what I planned to do on the final day. I considered several options, because I wanted to do something momentous. But in the end these options fell through, so I decided that the best course of action would be…

… Business as Usual.

After all, I had a show to prepare for. Paintings to finish, logistics to be sorted out, all sorts of promotional work to do. Putting on an art show is no small task.

So when I got up that morning, I did a quick little sketch, just in case:

That way if the sun exploded or we got invaded by zombies, at least I could still say I reached the 1000th day.

(Fortunately they didn’t. But hey, you never know.)

After that it was back to the metalflake dinosaur paintings. Since my T-Rex sketch from back in February was the central image in my upcoming show, I decided that finishing one of those pieces would be my best bet. And that just seemed fitting – it tied in with the show, with my calendar, and any number of other peripheral art ventures. Plus it was inspired in the first place by the person who’s made the biggest mark in my life during the Project – my Agent and former Muse.

So there you have it. One thousand days. I painted and drew a lot, I learned a lot, I sweated and bled, and I’m still standing.

Oh, and one more thing: I’m already working an art book based on the experience. Watch this space for further details.


The Big, Big Show (Fourth Time’s the Charm)

Welcome back, and thanks for joining us. It’s been a few days since the Dinosaur Show – time spent recovering and regrouping, for the most part. It seems that the bigger these events get, the more time it takes to bounce back.

And this was definitely a BIG event.

Earth-shaking, even.

The excitement all started Friday night, with a trip to imagemaker photographic studio to hang the show. This is part of the process that I always stress needlessly about, as it usually goes off without much of a hitch. In this particular case, the positioning and hanging of the paintings was a breeze; it was just the peripherals (a display for posters and calendars, for instance) that raised questions.

That night I slept well, which has never happened the night before a show till now. Come to think of it, I slept pretty well for most of the preceeding two weeks.

In the morning I was up early, running last-minute errands in the rain. We were at the studio doing last-minute setup by 1:00PM…

… and then it was showtime. My friend Cindy, who moved here recently from Ontario, snapped up the medium-sized T-Rex almost immediately after we opened the doors. Technically that was the second sale of the show, though, because John from HogShack had already spoken for one of the struttin’ T-Rex paintings.

Over the next six hours lots of people came in, often with young dinosaur fans in tow. Talked to old friends, met some people I’d previously only talked to online, sold a few paintings, and all in all had a great afternoon.

And then it was 8:00. The afterparty started.

The Agent was outfitted in a custom T-Rex top, and we also had hot pink T-Rex buttons made:

The people who got into the dinosaur theme the most, though, were Candice Roach and Danny Parker. Candice made a cake especially for the show, and Dan brought not only a T-Rex hat, but a full-on dinosaur COSTUME:

I kept thinking we’d hit the point where people were more focused on the party than the art, but then, miraculously, a few more paintings would sell. The final tally: 14 paintings sold out of a possible 17.

Did I mention there were drinks? Cake? Sandwiches and pumpkin pie cheesecake that my friend Melissa Jones so thoughtfully contributed? That people came from all over the place just for the show?

I’ve gotta say, the show of support never gets old.

Things wrapped up pretty quickly around 1:00AM. The day was done, the show a success.

Thanks, first of all, to the people who bought my paintings, posters and prints: John Lim Hing, Cindy McShane, Nic & Todd Cruickshank, Lori Kittelberg and George Smeltzer, Lindsay Bayne, Christine Warner, Geoff Gauthier, Irving Lau, Mark Crater, Candice Roach, Krista Lee, Amanda West, Donna Jay-Crowe, and all the people who bought buttons.

These lovely people couldn’t make the show (which will always happen) but were still kind enough to send along apologies and/or encouragement anyway: Chantal Michaud, Kate MacDonald, Lynn McIlwee, Jackie McCaughan, Adam & Corinna Carlson, Lyndsey MacEwen, Jewel Staite, Crystal Witty, Ceci Graber, Erin Kyle, and Jeff Hornby.

And of course, how could I forget my agent, Tess McCann? We’ve been through a lot together in the 14 months since we met, and this show actually started with her posting T-Rex cartoons on her Facebook wall in the early part of 2012. Thanks for everything, Tess. At the risk of repeating myself, this wouldn’t even be possible without your help.

(Photos courtesy of Danny Parker, Ned Tobin, Amanda West, Lindsay Bayne, Krista Lee, John Lim Hing, and John Watson.)


T-Shirt Thursday, Round 13

So I was drinking with friends last weekend, and the subject of the dinosaur art show came up. Next thing we knew…

 

 

As always, you can find this in my RedBubble store.


T-Shirt Thursday, Round 12

Whipped up a brand new dinosaur tee last night:

As always, you can buy it in my RedBubble store.

Edit: by popular demand, here’s a variant shirt with a larger raptor, centered in the design.


Thoughts on the Dino Show, and a Question.

All sorts of fun things going on here in preparation for the next art show in October. You may have already seen the t-shirts and the new calendar, but there are also 18 new metalflake paintings in the works. Right now they’re scattered all around my studio, in various states of completion.

Here’s a sneak peek:

We’ve got paintings as small as 3×4 inches, and as large as 20×20. Some will have designs based on the illustrations in my calendar, and some will have designs that are just rough concepts at the moment (hey, there’s still plenty of time). Just the other day, for example, the Agent and I were talking and she suggested doing paintings based on dinosaur fossils.

Clearly she’s a genius, because this opened up whole new areas of creativity for me. This T-Rex skull design is already on a t-shirt, but on a metalflake painting I think it’ll blow people’s minds:

I’ve also got an idea in mind that involves revamping the whole metalflake technique so it’s even more three-dimensional. But that may have to wait for another show.

There may also be some other dinosaur-related merchandise available, but that’s still top-secret for now. Mum’s the word.

While I’ve got your attention, what’s your favourite dinosaur?


T-Shirt Thursday, Round 08

This week’s t-shirt just had to be another dinosaur, with the show announcement a couple days ago.

You can buy it right here.