dancer

Hot Pink Recap

Let me tell you the story of one amazing day. A lifetime ago (or a very short while, depending on your perspective), I had my very first solo art show.

I was half-assing my way through organizing the show till Tess McCann stepped in to offer her assistance. I would mark that as the most significant turning point in my art career to date (and of course, Tess is now my agent).

From there it’s been… I dunno, would it sound pretentious if I said it “a journey of self-discovery” ?

Anyway.

We’ve spent the last year and a half experimenting and learning about art shows and art marketing, and we’ve met some incredible people along the way. And all the things we’ve learned got applied to the latest extravaganza, Hot Pink .

Now, Hot Pink has its roots in two sources: a suggestion from Alex Stewart last summer that we do a pin-up girl show together, and a request from Tess the summer before for a hot pink painting of a dancer.

Everything just gelled from there. Putting this show together was almost effortless, apart from the labour in actually creating the art itself. Many people stepped in to help promote the show, offer suggestions and their encouragement, and lend a hand in many ways.

But wait . I’m getting ahead of myself here.

Let’s backtrack. Friday night, Feb. 22. Team Hot Pink gathered at imagemaker photographic studio to hang the show. I wore my toolbelt, because I’m told it makes me more popular with the ladies:

Alex brought along some stunning pieces. I’d been following their progress for months via social media, but it was my first time seeing most of them in the flesh.

(I brought along a few pieces of my own, of course.)

And in no time at all the entire show was hung, the pizza eaten, and beers drank. Waking up to sunshine the next morning was a nice omen.

And just like that, the Big Day was upon us:

You may have noticed the beautiful Hot Pink button in that last pic. It comes courtesy of Annie Friesen, the proprietor of Dottie’s Buttons . In addition to that button, Annie is now selling others that feature my artwork and Alex’s. We’re pretty pleased to have her on the team.

In addition we had a major contribution from Candice Roach’s Love Your Cake business. Another great local company run by a good friend. And her cakes are mindblowing to see (or to eat, for that matter).

My latest paintings were a hit. Several of them were sold before the show even happened. Here are the ones I’m particularly proud of:

Aside: Agent McCann and I also donated a painting to a fundraiser by our friends at the HiVE called An Evening of Debauchery . Full of inappropriate dirty jokes, politically-incorrect comedians, burlesque performers and an artist with a… unique approach to painting, the event was held to raise money for a non-profit business incubator. In the end the painting went to Nelu Oncel, who was patient enough to let us keep the painting for a few more days so it could still be in Hot Pink.

Alex and I also collaborated on two pieces, which is probably the creative highlight of my year so far. I started one piece that he finished, and vice versa. An incredible experience, and one I learned a lot from. Hopefully there’ll be more joint efforts from us in the future.

And from there, things just… rolled . Many excellent friends showed up, both old and new. These pics should give you an idea of how it went:

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At midnight we wrapped things up, exhausted. Took the party to several other locales, and in the AM we were back to tear everything down. By that afternoon you’d never know there’d even been a show.

So thanks to John Carter, Sarah Merris, Kimli Welsh, Steve Kinsey, Jeremy Ball, Amanda West, Jamie Presley and Meghan Low, Vicky Hames, Meghan Kilner, George Smeltzer and Lori Kittelberg, John Bell, John Watson, Alex Stewart, Jon Crewe, Jaime Lee Purgavie, Aimee Vuilleumier, Lyndsey McEwen, August Wiled, Chantal Michaud, everyone who wore pink to support the cause, and the incomparable Tess McCann, who once again deserves a huge round of applause for everything she’s done for me.

Photos courtesy of John Watson, Tess McCann, Alex Stewart, Heather Prost, Cathy Browne, Christy McNeil, Scott Graham, and Bret Taylor.


So here’s a post that’s long overdue. Back on March 25 (day 810 of the 1,000 Days Project), I woke up to find myself inspired. Hell, maybe even driven. I looked around at all the stuff I’ve been working on, in an attempt to prioritize. And as a means of self-promotion I decided to post in-progress photos online to document the whole day.

Since I’m planning a series of six ballerina paintings, I figured I should start working out the poses I want to use – the final lineart will be drawn from a live model, but I wanted to do my homework this time. So here are the sketches:

With that out of the way, I decided to turn my attention to an Avengers painting commissioned by a friend of mine. Once the masking was done, it struck me just how fortunate I was to have such a perfect venue for painting on a sunny day:

Then I started applying the linework. Instead of the white I always used to use on my metalflake pieces, I went with silver (Tri-Art Liquid Mirror), bronze and copper. It’s only recently that I branched out from the white – the silver was also used on the “For a Dancer” painting, and the copper on the seahorse (AKA “Top Seekrit”) piece.

Pretty soon all that remained to do was signing the Avengers piece:

And finally, the glorious results:

I have to admit, I’m really happy with how this one turned out, especially the metallics in the lineart.

Once that was finished I was still pretty psyched, so I decided to press on:

I really enjoy these large-format paintings. As I’ve mentioned more than once, the plan is to do a series of these pinup-girl paintings, if I can ever get the planets back in the same alignment again. Here’s where I left off that night, after close to nine hours of painting:

And that was day 810. A whole slew of amazing people offered comments and helped me promote this mini-event, so I’d like to take this opportunity to thank them all:

Nicole Cruickshank, Andrea Waters, Cosca Restaurant, Ned Tobin, Geoff Gauthier, Trevor Ricketts, Ceci Graber, Wes Thompson, Natalie Jean, Bahaneh Grewal, Ron Cooper, Isabell Kinga Markus, Amanda West, Matty Sadorf, John Lee, Bob Cluness, Heather Prost, George Smeltzer, Candice Roach, Keith Perkins, Kelle Belle, Meghan Low, Lola Frost, Vincent Ng, Irving Lau, Todd Hancock and 99.3 CFOX, Opal, Annie Friesen, Melissa Hartfiel, Lorraine Murphy, Jessi Sensabaugh, Yvonne Milroy, Julie Frisina, Jim Dickson, Tina Power, Cathryn Smith, Margaux Wosk, Erika Wallace, Matt Algren, Kimberley Mulla, Jaime Purgavie, Melissa Jones, Wendy Pemberton, and Tess McCann.

(Plus Tequila Mockingbird, Nikki B, the ruggler, Baw-nee and sparklehorss.)

Thank you, one and all. You’re the reason I do this.


Sometimes a painting almost seems to come out of nowhere and touch all kinds of people. Other times, the process can be a lengthy, involved one. In this particular case, it’s a bit of both.

One night last summer I was chatting with a new friend and she happened to mention that she wanted a painting in hot pink . Further to that, she told me that she used to dance, and that she wanted art along that theme – feet and legs in pointe shoes. Time went by and we became much closer. But this idea stayed in my head. In November I drew a rough sketch of her legs and feet in the pointe shoes she’d had since she was a teenager. That original sketch has since been framed and now hangs on her living room wall:

By this point I could see the finished painting in my head pretty clearly. I started creating another of my metalflake paintings with the intention of giving it to her as a Christmas present. Unbeknownst to me at the time, the metalflake pieces take a lot longer to dry in mid-winter, because the shorter days and crappy weather mean a vastly-reduced amount of UV radiation (which speeds the drying process along).

In the end I bought her a Leonard Cohen book for Christmas, and the hot pink painting proceeded oh-so-slowly. A couple days ago I was inspecting the painting and noted that the thick, thick clearcoat was finally dry.

The end of this journey was finally in sight.

On Friday night I found myself at loose ends. I wanted to go do something social with friends, but any and all attempts to make that happen simply failed. So I mixed myself a strong Sailor Jerry’s & Coke, and started masking the painting. The whole process came together pretty quickly, and with the encouragement of my Muse, the painting was soon finished:

Feels very weird to have the painting finished now, considering it’s been in my subconscious since August, and it’s March as I write this. And of course, my world is a vastly different place than it was during that late-night conversation waaay back in August – I couldn’t even begin to chart the changes. I’m a whole new human being, really.

So there you have it – the painting was a labour of love, and it’s actually done.

Interestingly enough, I posted updates live on Twitter and then Facebook as the night progressed, and the response was stunning . So much support, so much praise, so many questions, so many people sharing the final image with friends and followers. So, I’d like to thank the people who made this so much easier: Meghan Low, Donna Jaggard, Kelly St-Laurent, Natalie Smith, Mandy Fisher, Nick Voikos, Mark Kretzschmar, Chris Hobrecker, Bruce Ng, Adé Win, Brandy Trudeau, Heather Prost, Liam Rines, Elaine Shiel, Leanne Corrigan, Tony Dunphy, Fiona Flowers, Nicole Crosby, Sean Parrack, Elizabeth Whalen, Jaime Purgavie, Melissa Hartfiel, Ceci Graber, Dale Deruiter, Vince Ng, Melissa Berg, John Lee, Dilara Litonjua, Cathy Browne, Risto Paalanen, Emily Brandt, Jackie McCaughan, Nick Routley, Amanda West, Christine Warner, Kathleen Ralph, Gary Hayden, Donna Jay-Crowe, Tina Power, Tom Van Hoose, Jackie Teel, Geoff Seymour, Winnie Huang, James Dickson, Marion Vincent, Sarah Merris, Katherine Bowes Pieters, Jewel Staite, Paulette Brown, John Bell …

… and Tess McCann, without whom this would never have even been conceivable.


So. One month of 2012 is done already. Not exactly one of my better ones, though I’m slowly coming to accept that maybe January will always suck.

Anyhow, January’s done, so February’s a (minor) fresh start, right? Lots happening artwise, as is often the case. There’s a whole raft of metalflake paintings that will hopefully be finished soon. Including a piece I called “For a Dancer” (after the Jackson Browne song of the same name):

What you’re seeing here is a mockup, of course. I first envisioned this painting back in August after one of those life-changing late-night conversations. But when I mocked up the whole thing up tonight, I have to admit I was taken aback just a bit. This is a very personal piece, so it’s gratifying to see the emotional impact it has.

Inspirational verse:

“I don’t remember losing track of you,
You were always dancing in and out of view,
I must have thought you’d always be around.”

Moving on to the next item on the agenda, I’m sharing this from Franziska San Pedro’s blog, entitled “How The Internet Can Change Your Life.” Interesting reading.

And finally, I’ve posted a couple new t-shirt designs to my RedBubble store just in time for Valentine’s Day:

Carry on, then.
Bret Taylor
Day 762/1000.


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